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“We come collectively tonight with a standard objective.”

To the comic Nikki Glaser, this was an awesome premise in the hunt for a greater punchline.

Over Zoom, three days after nominations for the Golden Globes had been introduced final month, she invited concepts from her employees of 10 writers for the opening monologue that she is going to ship because the host on Sunday. She and the writers had been additionally collectively for a standard objective, discovering one thing funnier than: “To get out of right here earlier than Dax Shepard requested you to do his podcast.”

Glaser, 40, seated cross-legged in black pants on her sofa in West Hollywood, favored the joke however thought it was too wordy. And perhaps, she stated, it could possibly be harsher. One author, Sean O’Connor, urged: “Getting out with out having a dialog with Jesse Eisenberg.”

She smiled and stated they might assume extra out of the field.

“Go away earlier than Harrison Ford snaps at you.”

“Getting Ted Sarandos’s private quantity.”

“See if they will parlay a Golden Globes win into an look on ‘Scorching Ones.’”

Glaser thought-about every punchline politely, patiently responding to each one. She described this because the honeymoon interval: Each joke appeared enjoyable and new. She advised the group they had been on tempo to make an awesome set. When she turned an concept down, she tended to do it with reward. (“Actually good concept however …”) The writers’ room slogan may have been: Making imply jokes properly.

Driving excessive after her acclaimed efficiency on the Tom Brady roast was streamed reside on Netflix in Could, Glaser is transitioning from star comedian to move of a comedy operation. “Nikki World,” one author known as it.

As she defined, “I used to really feel like I want a hand in each joke I inform, however I now know that a part of my expertise is curating and figuring out what works with my supply.”

I spent near a month in Nikki World, observing how her staff develops and hones an awards present monologue. Later, she spelled out to me how she anticipated the month earlier than the ceremony to go: She would do the set in golf equipment each night time a number of instances, shed a couple of tears, get bored along with her jokes, worsen at delivering them, after which a couple of days earlier than the Globes, have a panic assault. “I do know myself,” she stated. That prediction wasn’t fully borne out (no tears), however she was shut.

What remained constant all through was Glaser’s cussed dedication to excessive requirements in getting laughs. “We now have 5 actually good jokes,” she advised her employees earlier than a slight deepening of her voice and the acquainted pivot of a veteran comedian: “Purpose to beat all of them.”

Glaser’s lodestars are Tina Fey and Amy Poehler, who collectively hosted the Golden Globes 4 instances. When in a rut, she binges Fey’s sitcom “30 Rock.”

“Final night time Chris and I acquired in an enormous battle after which watched Tina and Amy’s monologues once more,” she advised her employees, referring to her producer and boyfriend, Chris Convy, who has been at her aspect all through the method. Their battle was over whether or not extra individuals would get a reference to “Name Her Daddy” or to Eisenberg.

Glaser suggested her writers to check these monologues and took a second to marvel at Fey’s beginning her 2015 Globes gig by saying: “Welcome, you bunch of despicable, spoiled, minimally talented brats.”

“That’s the tone I like the place there’s an everyman side,” she advised her writers. Smiling, she mirrored extra: “I couldn’t go that onerous.”

That may shock some. That is the comic whose Tom Brady roast set was so pointed that it made a quarterback who had taken punishing hits for many years say these pictures harm sufficient that he wouldn’t do it once more. However Glaser, a self-aware veteran of golf equipment, podcasts and late-night discuss reveals, is very alert not simply to the room but in addition to her place in it. She wouldn’t make the error Jo Koy did internet hosting final 12 months’s Globes when he didn’t take his writers’ advice to start with a self-deprecating introduction, then blamed them for bombing. He acted as if he was performing for his followers versus the superstar crowd and the broader tv viewers.

Glaser stated Fey acquired away with that “minimally proficient” insult as a result of it was her third internet hosting project and she or he had been a tv star for 15 years, a showrunner for many of them. She was speaking to friends. Glaser isn’t there — but.

The impediment course of awards present monologues entails navigating two very completely different audiences: the individuals watching at house and the celebs within the room. Some comics concentrate on one or the opposite, however Glaser stated it was essential to “cut up the distinction.”

She advised a joke about Diddy that killed at a membership however warned the gang it may not work on the Globes. Somebody yelled: “Do it!”

“You promise you’ll nonetheless be hollering in your sofa when it dies within the room? I don’t assume you’ll,” she responded, explaining her ideas by cellphone the subsequent day. “I don’t know if I’m savvy sufficient to look at a joke that bombs on TV and nonetheless go: That’s nonetheless a very good joke. It’s nearly extra vital that it will get fun within the room than the substance of the joke itself. I want that weren’t true, however it’s.”

Glaser faces a showbiz paradox: She should ingratiate herself with the celebs in entrance of her, however the cause she was chosen for the job was that she had brutalized the celebs in entrance of her. “Nobody goes to do a greater roast set than that,” Conan O’Brien stated on his podcast after the Tom Brady occasion.

“I carried out a system for the roast,” Glaser defined, and that course of, Convy stated, is her blueprint. She meets each day with an interior circle of writers (O’Connor, Convy, Mike Gibbons and Brian Frange) to go over the set and three or 4 instances per week with a bigger group of writers. Add a author’s assistant and publicists, and you’ve got a company with the size of a late-night present. “Anybody not doing that’s leaving success on the ground,” she stated. “I’m comfortable to pay my complete paycheck to do this.”

Her objective now’s larger than killing. It’s to set the stage for future tasks collectively, together with awards reveals. “I would like the vacation season to remind me of Golden Globe prep,” she stated. “I would like the scent of holly and pine to remind me of writing.”

FIVE DAYS LATER, Convy was sitting at the back of the Comedy Cellar in Manhattan, watching Glaser take a look at new jokes about “Depraved.” Coming from doing press with hair styled and make-up on, she appeared far more put collectively than your typical joke slinger. She held her cellphone in a single hand as she went by way of the set at a fast tempo. “‘Depraved’ proved that we love musicals concerning the origin story of a villain who wears a number of make-up,” she stated, including: “‘Joker 2’ proved that we additionally hate those self same sorts of musicals.”

A smattering of guffaws. Convy typed on his cellphone: “Joker 2: Lukewarm.”

Afterward, Glaser sat down with Convy and two writers, and her tone instantly shifted from performative allure to brass-tacks post-gaming. “The Zendaya joke wants extra,” she stated, her cellphone to remind her of jokes, sighing that the opening nonetheless wasn’t there. An Ozempic joke was higher than the response it obtained, Glaser insisted, blaming the way in which she stumbled over a earlier line.

Glaser suggests a brand new method to go at “Depraved” and the “Joker” sequel earlier than concluding, “It’s not humorous. It’s simply intelligent.”

Her emphasis is on pruning each little bit of extra. Frange, the author, had advised the employees to overwrite premises since you shouldn’t assume audiences know the main points of, say, the “Depraved” press tour. And O’Connor stated the writers had advised Glaser that she was well-known sufficient that folks would wish to hear her converse at size on topics, like Chris Rock does. However Glaser’s intuition is the other: To go fast and spare, permit jokes to go over heads so long as there’s a promise of one other one coming quickly after.

Whereas rewatching Fey and Poehler made her contemplate extra shout-outs to stars on the ceremony, she nervous that applause breaks would sluggish her up. “It wastes time,” she concluded. Transitions are a pet peeve. “I don’t tolerate any info that doesn’t have a punchline connected,” she defined.

This emphasis applies to tangling with the gang. “I don’t wish to pause and say, ‘Are you able to consider I went there?’” she stated with vocal fry to her writers. Then she acknowledged bluntly: “This must be a assured machine.”

Ever alert to the large image, Convy stored the postgame transferring, asking about what was lacking. “The place are we on ‘Anora’?” he requested the desk, referring to one of many nominated motion pictures.

Trying down at her cellphone, Glaser stated: “We’re ‘Anora’-ing it.” Convy turned to me and stated, “I would like that joke off the document.”

ONE WEEK BEFORE THE CEREMONY, Glaser sounded assured, drained and just a little pissed off. She carried out the monologue each night time in December besides Christmas and one different day resulting from illness. “I can’t look forward to this to be over,” she stated wearily.

The honeymoon was over. Requested if the present set beats the jokes on the writers’ room assembly in early December, she stated they had been 70 p.c higher.

The bit about “the widespread objective” was gone, then put again in with a wry punchline concerning the objective being to get Kamala Harris elected president. However that stepped on one other line, so it was lower once more. “The jokes are robust,” she stated, “however I’m feeling fatigue attempting to revive some areas that aren’t clicking.”

Foremost among the many bothersome spots had been the “Depraved” jokes. The “Depraved” and “Joker 2” strains had one way or the other made their manner again in, however in a wholly new type. There have been two punchline choices: one succinct, the opposite verbose. There was a joke about Jeff Goldblum, a star of “Depraved,” not being a very good singer that she favored however that simply couldn’t get fun. Glaser discovered this so maddening that she had stopped a present on the Ice Home in Pasadena, Calif., and requested the gang in the event that they knew him (applause) and in the event that they agreed he was a nasty singer (extra applause). She conceded defeat.

Earlier than we spoke, she had been on a 30-minute name devoted to pitching “Depraved” bits. She had a brand new opening joke she was proud of, a fast one about Ozempic. However as the printed grew nearer and elements had been trimmed, points apart from whether or not a line was humorous cropped up. Did she have too many jokes about being attractive? (Possibly.) Was the perspective on among the riskier jokes clear sufficient? She had simply rewatched a Steve Martin Oscar monologue and was impressed with how he had shoehorned so many names in. Did she must put extra stars in?

“As soon as we strip away my little jokes, like, am I doing a very good job of setting the stage for what an vital night time that is?” she requested. “And are we actually honoring these individuals and celebrating what this night time is all about?”

LATE IN THE AFTERNOON ON NEW YEAR’S DAY, after acting at 4 golf equipment the night time earlier than, Glaser sounded completely different than I had heard earlier than. She had been chopping chunks of the set and now there have been “stream points.” The set wasn’t “singing,” she advised me by cellphone. The identical day, the author Sean O’Connor, who accompanies her to her units, advised me that New Yr’s Eve crowds get drunker and worse because it will get nearer to midnight.

Glaser was talking quicker and with extra doubt than she had allowed beforehand, alternating between anxiousness and defensive bluster. She was nonetheless questioning the perspective of some jokes. She was nonetheless going forwards and backwards concerning the sexual jokes, counting the variety of references to her being attractive, feeling there have been too many, however now considering she’s good at them, so it’s the precise quantity. And the “Depraved” jokes had been nonetheless fluid. Glaser was including to issues to obsess over. “Do we have now too many jokes about pedophiles?” she questioned.

This wasn’t precisely the panic assault she had predicted. However Glaser stated she had carried out the jokes at golf equipment so typically (91 instances earlier than the ceremony) that she may not inform in the event that they had been humorous. How may she? She knew each shock coming. She likened her relationship along with her materials to a wedding the place she’s not gaga anymore. The jokes have been dependable, positive, however a political one which at all times kills just lately bombed. That rattled her. “Possibly it bums individuals out,” she stated, sounding confused.

Then she stated perhaps it was simply that the gig appeared like such an enormous deal, then nearly as if attempting to repair that, she contradicted herself, saying it wasn’t.

She had watched awards present monologues that had been forgotten, she stated, then added that she had standup dates lined up for subsequent 12 months, nearly as if she had labored previous the catastrophizing part into the moving-on one. Glaser then stated one thing that took me unexpectedly: “There’s no manner I’m going to bomb. There’s simply no manner.”

Her set had killed so many instances. She had put within the hours of labor. And from the primary writers’ assembly to the comedy golf equipment to each interview, Glaser had projected full confidence. However now she was permitting doubt to creep in. She imagined what would occur if she bombed. What if onerous work didn’t repay? Glaser stated she believes in manifesting so was uncomfortable with this line of thought. She doesn’t like to think about failure. Days away from her debut at a serious awards present, she sounded extra susceptible human than assured machine. Sooner or later, speaking to her stopped feeling like an interview and extra like eavesdropping as Glaser let her interior voice spiral.

“The worst factor that might occur is that if I faint or have some form of stroke,” she stated. “These are my largest worries, however the materials is there. There’s nothing within the set that I really feel is so offensive that it might tarnish any form of alternatives or relationships with individuals. To not say that I’m not going there or doing stuff that gained’t make some headlines, but it surely’s simply, I simply really feel, I simply really feel assured.”

Confidence is a humorous factor. It might probably change not solely night time to nighttime, however second to second. When Glaser acquired in bother with hers, she returned to Fey and Poehler. When she watched their monologues, she observed the dedication, even to the silliest, most tossed-off-seeming concept. She stated she thought her jokes had been nearly as good as those of their monologues. “What’s missing proper now that they’d was the consolation, the boldness within the efficiency,” she stated.

What reassures her, she stated, is similar disaster that occurred earlier than the roast. She grew uninterested in her personal jokes. Simply doing it for actual, the efficiency, saved her. “It’s important to faux it at first just a little bit,” she stated of her enthusiasm for acquainted punchlines.

Glaser in contrast the sensation of the efficiency, the ultimate time you inform acquainted jokes, to the final time you discuss to a boyfriend after a breakup. “Though chances are you’ll be uninterested in them, you get one thing again in that final goodbye since you are so within the second,” she stated, including with a hopeful lilt in her voice. “It’ll really feel new once more.”