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Curt Cignetti bets big on Indiana’s 17-man transfer class in repeat title quest
Nothing gold can stay in Indiana.
Nick Marsh, the most decorated receiver the Hoosiers have ever pulled out of the transfer portal, showed up to the first spring practice in March wearing gold cleats. Third-year head coach Curt Cignetti, 10 weeks removed from a 16-0 national championship, saw them before the first snap of the spring.
“I didn’t love those gold shoes he came out in today,” Cignetti told reporters that afternoon, March 27. “He learned what getting your ass ripped is all about. I don’t know if that happened to him very often at Michigan State.”
It wasn’t necessarily the dry, no-nonsense head coach who had to take Marsh aside and show him the Hoosiers’ ropes.
“If you see something that someone might think they might be a little above the program or something like that, you need to be brought back down to the standard,” said left tackle Carter Smith, a consensus All-American last season. “Everybody is held to the same expectations. Nobody’s above the program.
“… It’s not just up to Coach Cignetti, but it’s also up to the leaders to be able to call that out.”
‘I was furious’: How Curt Cignetti changed Indiana football and won a national championship
Brad Crawford

Replacing production, not expectations
Basking in glory is not how Indiana won the national title and rose from the losingest program in college football history to the first 16-0 national champion, an out-of-nowhere accomplishment no Hollywood script could properly replicate. The question this August is whether that program still exists after the bulk of the roster that built it exited stage left, leaving the spotlight for Cignetti’s rebuilding project, using parts that have never been in the building.
Indiana lost eight players to the NFL Draft, a program record, and, most notably, the Heisman Trophy winner and the No. 1 overall pick, Fernando Mendoza, who threw for 3,535 yards and an FBS-best 41 touchdowns. It lost 134 catches, 1,767 yards and 28 touchdowns in Elijah Sarratt and Omar Cooper Jr. It lost its center, its tailback, its All-America cornerback and the heartbeat of a defense that finished second nationally in scoring at 11.7 points per game.
Still, the Hoosiers return 10 starters — a notable number, but not one that matches the benchmark set by the last eight national champions, each of whom returned at least 11 starters.
Cignetti’s answer to the dramatic production loss was the same one he utilized when he took the job before the 2024 season: buy production. Indiana signed 17 transfers in a class rated fifth nationally. He replaced big production numbers with comparable production from elsewhere, the simplest approach in a sport that has turned to Moneyball more than development since the advent of the transfer portal and NIL payments.
“First thing, when a name comes up, I Google it, right?” Cignetti said. “And ESPN’s got, like, the guy’s picture and his career stats, season stats. I’m going to see how productive and consistent he’s been. And then it goes to the tape.”
Simple, right? Cignetti searches for production and consistency, targets players, and recruits them from the portal. If it were that easy, why can’t other programs replicate Indiana’s overnight success? It’s a question many athletic directors across the country ponder, which led to a record churn on the coaching carousel this offseason, and several hires that follow Cignetti’s blueprint: snag the fast-rising coach from a Group of Six school and have his top talent follow him to the new campus.
That worked for Cignetti in his first two years, but now he’s counting on players he’s never coached, even though their previous productivity at other schools seems to fit his prefabricated puzzle board.
“If a guy walks in my office, he might have a lot of talent and be a really good player, and that transcript doesn’t look real good. And I get a vibe that this guy’s a little selfish, can’t see past his nose, I’m not taking it,” Cignetti said. “I mean, he better be the best wide receiver in the history of football. And then I’m still going to think about it.”
On paper, Indiana seems to have reloaded more than rebuilt the roster. Josh Hoover threw for 3,472 yards and 29 touchdowns at TCU last season and 9,629 yards with 71 touchdowns across 31 career starts. Turbo Richard ran for 749 yards and nine scores in 11 starts at Boston College and caught 30 passes out of the backfield. Marsh caught 59 balls for 662 yards at Michigan State. Shazz Preston caught 43 for 723 at Tulane. Joe Brunner started 12 games at left guard for Wisconsin. A.J. Harris was third-team All-Big Ten at Penn State. Preston Zachman has 130 career tackles and seven interceptions. Carson Williams was an FCS Freshman All-American at Montana State with nine pass breakups.
Getty Images
Eight of the 17 transfers play defense. The two Kansas State defensive ends, Tobi Osunsanmi and Chiddi Obiazor, are the closest thing in the group to a projection, and Cignetti still has extreme expectations for them.
“I’d like to see them be monsters. That’s what I’d like to see,” he said. “I think they both have talent. They flashed, and I’m looking forward to seeing them in fall camp and seeing how they improve.”
The quarterback math is the reason for confidence. After all, Cignetti has done this before with a player he’s never coached. When he signed Mendoza out of Cal a year ago, he was buying a player who had thrown for 3,004 yards and 16 touchdowns. What he got back was a national title, Heisman Trophy and the first pick in the draft.
Hoover arrives with a better résumé than that. He also arrived with 13 interceptions last season and 42 turnovers across his 31 starts at TCU.
Asked what he needs from Hoover, Cignetti gave the shortest answer of his appearance at Big Ten media days.
“Good quarterback play.”
Pressed on what that means, he did not hesitate on the order, the underlying concerns everyone has about Hoover, or whether he can step in and pick up where Mendoza left off.
“Protect the football, complete the passes you should complete, be good in critical situations, play well under pressure, be smart, play smart, play with courage, play with toughness,” Cignetti said. “All things he’s capable of doing he’s done in the past.”
Can culture survive turnover?
The blueprint is no secret, but it had to change out of necessity. Familiarity can only last so long with rosters constantly spinning in the portal. Thirteen James Madison players followed Cignetti to Indiana in 2024, laying the foundation for familiarity and built-in high expectations, even if everyone outside the football building in Bloomington didn’t expect much from a program known as a perennial loser. The gang from James Madison had won together in the Sun Belt, they knew the two manuals Cignetti calls the program’s Bibles, and they arrived already speaking the language. Five of them — Aiden Fisher, D’Angelo Ponds, Elijah Sarratt, Kaelon Black and Tyrique Tucker — were still on the field when Indiana beat Miami 27-21 for the national title in January.
“In 2024, when he brought in all these James Madison guys, those were a lot of players who were in a conference and knew how to win and meshed really well with the Indiana players who were there that are itching for wins,” Smith said. “So keeping that relationship alive while we recruit more guys, high school or transfer portal, is key — making sure that everybody has the same body of work expected of them.”
Hoover, Marsh, Richard, Brunner and Harris haven’t been in the building longer than seven months. There is no JMU wave to absorb them. There is only the group that has grown and won over the last two years, and one JMU leftover: Tucker at defensive tackle.
“Being the last one kinda does feel like a badge of honor,” Tucker said. “But it’s one of those things I feel like I have to obtain. Everyone who has been from there has done things and been successful — and being a part of that group is elite.”
The JMU crew instilled a new culture in Indiana, but it’s not up to one holdover to carry the torch.
“Those 20-plus guys that stayed from Indiana, that have been with us for two years, they’re the JMU guys now,” Cignetti said. “And the ones showing the new guys how to do it.”
The early evidence is anecdotal, and preseason camp is typically more about survival than developing an identity before game-week preparations begin in late August, but there are moments that shine a light on the new imprint.
“He’s made a lot of friends this offseason,” Smith said of Hoover. “That’s the biggest part, you know, being a really good locker room guy and understanding what everybody wants from their quarterback. And he loves to just hang out with the guys. We’ll go golfing. He loves to fish.”
The rings are the enemy now.
Life as the hunted
Isaiah Jones, the linebacker replacing a two-time All-American in Fisher, put 78 tackles, 15.5 tackles for loss and seven sacks on tape last fall while starting seven games. He has been assigned the green dot as the defense’s quarterback. Off the field, he’s making sure a championship trophy doesn’t become an anchor.
“Last year was a great year. Great teammates, great friends, brothers for life. Brought home a lot of hardware, nice rings,” Jones said. “But none of that does anything to win a game this year. We don’t just roll our rings or trophies out on the field against North Texas Game 1. That doesn’t win us a game.
“Every time you take a field, or you go into the weight room, or you’re in a film room, you either get better or get worse. If you’re getting worse, Michigan or Ohio State or USC or North Texas might be getting better.”
Cignetti calls it attacking complacency.
“It starts with me, really,” said Cignetti, now 27-2 in two seasons at Indiana. “I got to make sure I’m on my game, I’m organized, I’m structured, I’m working smart and that everyone is doing their job.”
Those who don’t follow his lead don’t survive. Over the last two seasons, complacency hasn’t seeped into the locker room because of Cignetti’s laser-sharpened focus and the inherent motivation tied to a program that had never won big before. That’s different today. The Hoosiers are now the hunted.
“When you have a lot of good people, the whole becomes greater than the sum of its parts. But one bad apple also, you’ve heard that one before, right? So we don’t have bad apples,” Cignetti said. “Coach Cignetti takes care of the bad apples. When they start getting a little soft on one side, right, they get looked at real close. And then when they’ve rotted some more, a little while later, they’re out of here.”
It’s still wild to think Indiana has reset the pieces on the sport’s chessboard. Now, everyone is adjusting as the Hoosiers try to maintain their recent stronghold in a sport that is not kind to newcomers leaping the rungs.
Cignetti doesn’t dodge expectations, and he certainly isn’t afraid to buck naysayers who tried to bury Indiana before he ever coached a game two years ago. He’s always blunt. Asked at media days whether Indiana is the Big Ten’s new Goliath, Cignetti repeated the facts and handed it back to the crew of scribes in the audience.
“We’re the national champs of 2025 and 27-2 the last two years. Longest home winning streak in college football. Longest winning streak in college football,” he said. “I don’t know. You guys write those stories.”
Indiana has seemingly transferred college football into a parallel existence. In that fog of war, everyone is confused, grasping for answers, and, in the case of Purdue‘s new athletics director, blundering for attention in this new reality.
Incoming Purdue athletics director Tommy McClelland, in an attempt to rally the troops at Indiana’s in-state rival, stepped into no man’s land.
“Every recruit and every student-athlete will hear this message repeatedly: We are here to win championships. If you don’t want to win championships, go to Indiana,” he said.
The words landed with a soft, wet thud. He knew it immediately. “I made an offhand, unscripted comment about an in-state rival that didn’t land well. I knew it the second it left my mouth,” McClelland said the next day on The Pat McAfee Show. “We’re going to build programs here that are better at winning championships than I am at one-liners.”
Cignetti, the most quotable coach in America, was asked about it Monday at preseason camp. He is 2-0 against Purdue by a combined 122-3 score. Did he have a response?
“No, not really,” he said.
He swatted the gnat and turned his head to another questioner. His players, and for that matter, most of the sport, understand Cignetti’s cadence by now.
“Some people might think he’s brash or he’s arrogant and makes some of these comments,” Jones said. “As a player, from a player’s perspective, you see a guy that has full belief in his players. He’s going to go out there and make these comments and stick his neck out because he has belief in his players. As a player, when you see that and you see a coach that has full confidence in you, you want to go play your heart out for that guy. You don’t want to play soft. You don’t want to play timid.”
Cignetti just turned 65. He calls himself a geriatric. Any other coach may have hit their career’s zenith working under Nick Saban at Alabama in 2010, when he opted to take a step back and work his way through the system on an unorthodox journey as head coach at Division II Indiana University of Pennsylvania before later landing in the FBS at James Madison. Those experiences informed Cignetti, who has been in the business long enough to know how fast champions can fall.
“I know how temporary this is,” he said. “You can be a hero one week, and all of a sudden lose a game and, you know, people hate you.”
He knows what the title bought — “donations have gone up throughout every department at the university,” he said, and the largest alumni base in America has come “out of the woodwork who for so long had really no hope or interest because we were so bad” — and he knows the terms attached to it.
“If we don’t hold up our end of the bargain,” he said, “I’ll be hung in effigy next fall.”
Curt Cignetti talks like college football’s alpha, but Indiana’s schedule says otherwise
Cody Nagel

Despite all the criticism Indiana receives for its scheduling philosophy and for opting to avoid non-conference power opponents, the hurdles this fall remain larger. Ohio State comes to Memorial Stadium on Oct. 17, and then Michigan a week later. USC and Washington, thought to be playoff sleepers, hit the schedule in November. Purdue and whatever is left of McClelland’s one-liners end the season Nov. 28.
Until then, it’s Week 1 and North Texas, and 17 new men trying to coagulate into — and maybe mimic — a version of Indiana that beat everybody last year. It might seem new, but everyone else believes Indiana, the defending champion, is the team to beat.
“I don’t look at it like that,” Cignetti said. “We wake up tomorrow, we’re going to do the things that we have to do to improve as much as possible to put the best day together and then do the same thing the following day. And then it all takes care of itself, because I’m a firm believer. You stack days, meetings, and do the proper preparation on a consistent basis, you can accomplish anything. Anything.”
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Jaafar Jackson Discusses Studying Michael Jackson’s Moves Since Age 3
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Jaafar Jackson returned to THE Jennifer Hudson SHOW to discuss his connection to his late uncle Michael Jackson, focusing on the question of whether he is following in the legendary performer’s footsteps. Host Jennifer Hudson steered the conversation toward Jackson’s early exposure to the choreography and stage presence that defined Michael Jackson‘s career, giving the studio audience a personal look at how that influence took root.
Jackson has previously spoken on the same program about growing up in the orbit of Michael Jackson, recalling that he began studying his uncle’s moves at just three years old. That earlier appearance centered on his firsthand memories of watching and absorbing the choreography that would later shape his own artistic identity, offering insight into a story more often told through public performance and legacy than personal recollection.
The latest segment built on those recollections, examining more directly whether Jackson sees himself continuing that legacy through his own work. Rather than a standard promotional interview, the exchange leaned into Jackson’s personal history and the physical, hands-on way he learned choreography as a child.
Hudson’s show has recently featured a run of movement and legacy-focused segments, including her own attempts at viral dance trends. For more on Jackson’s earlier account of studying his uncle’s moves, read BroadwayWorld’s previous coverage.
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Potentially historic El Nino takes shape, with far-reaching US and global impacts expected
El Nino conditions continue to intensify and are likely to be very strong, resulting in a potentially historic event in the coming months that could significantly influence our weather, the hurricane season and global temperatures, according to the latest forecast from the National Oceanic and Atmospheric Administration (NOAA).
The agency is now highly confident there will be a very strong El Nino during the upcoming Northern Hemisphere fall and winter seasons.
NOAA’s latest forecast says that between October and December, there is a 69% chance of a historic event that would exceed the strength of all previous El Nino events on record, dating back to 1950. The current event ranks as the second strongest on record for this time of the year, behind 1997.

“Our team has become more confident in the possibility of a very strong El Nino by the end of this year,” Michelle L’Heureux, a physical scientist at NOAA’s Climate Prediction Center, told ABC News.
“There is a greater than 90% chance of a ‘very strong’ El Nino, which is the highest chance to date, and expresses our confidence in the growth and development of a potentially historic El Nino event,” L’Heureux added.
NOAA noted that with an event of this magnitude, while the chances of experiencing impacts consistent with El Nino are greater, they are not guaranteed.
El Nino refers to the warmer-than-average phase of the El Nino–Southern Oscillation (ENSO), a natural cycle where sea surface temperatures across the central and eastern equatorial Pacific Ocean rise and fall. The cooler-than-average phase is called La Nina, while near-average conditions are known as ENSO-neutral.
NOAA ranks the strength of El Nino events by measuring the sea surface temperature departure from average (anomaly) across this region, classifying events as weak, moderate, strong or very strong.
While adjectives such as “super” and “extreme” are popular ways of describing the strength of an El Nino event on social media, NOAA and the WMO classify the strength as weak to moderate, strong and very strong. The WMO noted in a recent statement that “the term [[super]] is not part of standardized operational classifications.”

A thunderstorm crosses the Hudson River from Jersey City, New Jersey, into Lower Manhattan, seen from the 102nd-floor observation deck of the Empire State Building, Aug. 7, 2026, in New York.
Gary Hershorn/Getty Images
Typical El Nino impacts across the United States
Impacts from El Nino, similar to La Nina, tend to be most consistent and pronounced from late autumn through early spring following the event’s onset, NOAA said. There is usually a delay between the onset of the event and many of the associated effects.
Experts caution that the impacts on weather patterns are nuanced. Each season is different, and typical El Nino conditions don’t always materialize.
“The data is very clear that we can be more confident in certain impacts occurring during strong and very strong El Nino, but it is really important to emphasize that even if this ends up being a historic El Nino, there will be impacts in some locations that do not align with the expected El Nino impact,” L’Heureux added. “This is why our seasonal forecasts are expressed in terms of probabilities.”
Northeast: Typically, during El Nino, warmer-than-average temperatures are favored across the northern half of the United States during the winter months. However, its influence is less pronounced in the Northeast, compared to the Upper Midwest and Northwest.
El Nino typically increases the odds of above-average snowfall in the mid-Atlantic and coastal areas of the Northeast as storms often move up the coast. Farther inland, drier-than-average conditions and less snow are more likely.
South: Near- to below-average temperatures are favored along the southern tier of the U.S., especially from Texas to the Southeast.
For precipitation, wetter-than-average conditions are typically observed along the southern tier of the U.S., including parts of the Gulf Coast and Southeast. Below-average precipitation is frequently observed across parts of the south-central Mississippi Valley.

A line of severe storms rolls into Chicago’s Austin neighborhood from the west along West Madison Street, Aug. 11, 2026.
Brian Cassella/Chicago Tribune/Tribune News Service via Getty Images
Midwest: Warmer-than-average temperatures are favored from the northern Plains into the Great Lakes. Drier-than-average conditions are frequently observed across parts of the Ohio Valley and Great Lakes regions.
El Nino typically increases the odds of above-average snowfall in the south-central Plains, with below-average snowfall favored in the northern Plains and Great Lakes regions.
West: During the winter months, warmer-than-average temperatures are likely across much of the Northwest. For precipitation, wetter-than-average conditions are typically observed across southern California and much of the Southwest, with below-average precipitation frequently observed across parts of the northern Rockies.
El Nino typically increases the odds of above-average snowfall in the southern Rockies, with below-average snowfall favored in the northern Rockies.
Meanwhile, above-average tropical activity in the eastern Pacific increases the likelihood of indirect impacts to the southwestern United States, such as sending more rain to the region and more frequent flash flood concerns.
Alaska: El Nino impacts in Alaska tend to be more pronounced than across much of the contiguous United States, with the strongest effects typically occurring during the winter and spring months. During winter, warmer- and drier-than-average conditions are more likely, with less snowfall and reduced snowpack.
Above average temperatures often persist into spring, while precipitation trends closer to average. However, warmer conditions typically mean more precipitation falls as rain rather than snow, prolonging snow deficits.

An aerial view of a truck is seen in floodwater in a field after recent storms in Mokuleia, Hawaii, March 23, 2026.
Stephen Lam/San Francisco Chronicle via Getty Images
Hawaii: Rainfall is typically above average across Hawaii the year an El Nino event develops before conditions become drier during the winter months and remain dry well into the following year. The shift toward drier weather can increase the likelihood of drought and elevate the risk of wildfires.
Meanwhile, above-average tropical activity in the eastern Pacific increases the risk of impacts from tropical systems across the Hawaiian Islands.
How El Nino influences hurricane season activity
While El Nino is only one of several key factors that influence tropical activity, forecasts now indicate it will be a strong event through the peak of the hurricane season, making it the primary driver of activity in both the Atlantic and eastern Pacific in the coming months.
El Nino conditions often suppress tropical activity during the Atlantic hurricane season by producing unfavorable atmospheric winds. In the Eastern Pacific, the opposite occurs, with favorable conditions supporting above-average hurricane season activity.
Other factors, such as sea surface temperatures, also play an important role in tropical cyclone development and strength. Unseasonably warm ocean waters can partially offset the effects of unfavorable atmospheric winds, according to forecasters.
Global temperature records will likely be challenged
2024 ranked as the planet’s warmest year on record, following the last El Nino event, which emerged in mid-2023 and persisted through spring 2024, according to NOAA. However, the return of El Nino means global temperature records will likely be challenged again in the near future, especially since a very strong event is unfolding.
Record highs in global average temperature often occur during El Nino years, combined with the long-term global warming trend driven primarily by human-caused greenhouse gas emissions.

A man rides his bike along a flooded road near Chiba metro station in Chiba, Japan, Aug 13, 2026, as heavy rain swept through the area.
Philip Fong/AFP via Getty Images
“Warmer ocean temperatures associated with El Nino, together with its tendency to favor warmer conditions in many areas, often contribute to warmer than normal global annual temperatures,” Jon Gottschalck, chief of the Operational Prediction Branch at NOAA’s Climate Prediction Center said.
According to the latest outlook from NOAA’s National Centers for Environmental Information, it’s virtually certain that 2026 will rank among the five warmest years on record, with a 99.9% chance.
However, the probability of it becoming the warmest year currently stands at less than 1%. These odds will likely rise significantly for 2027, based on the latest forecasts.
There is usually a delay between the onset of El Nino and its peak impact on global temperatures, NOAA says. As with the most recent event, its greatest influence often occurs in the months after it peaks, which can keep global temperatures elevated into the following year.
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9 Years Later, the Anya Taylor-Joy Thriller Everyone Missed Is Finally Available To Watch on Streaming
While Sergio Gutiérrez Sánchez’s 2017 psychological thriller Marrowbone arrived early on in Anya Taylor-Joy’s career, it hasn’t achieved the same acclaim as her other early works like Split, The Witch, or Thoroughbreds — but it doesn’t deserve to be forgotten. Marrowbone is a rich family saga, with an almost apocalyptic sense of gloom about it — and a great cast including Taylor-Joy, George Mackay, Charlie Heaton, and Mia Goth (all just a year or two away from major breakthroughs).
The Marrowbone family travels across the Atlantic to New England, where they stay in their dying mother’s estate, adopting her last name after suffering from the abuses of their father. All they know is each other, but on one lovely summer day they meet Allie (Taylor-Joy), a local librarian, friendly and warm.
The movie is a Gothic “haunted house” story, with the dusty creepiness of the Marrowbone estate complemented by the siblings’ decision to stay in hiding (plus conversations about rabid animals and black mold spots). For the romantic midcentury tone the movie strikes in its opening, there’s also a stern warning from the siblings’ dying mother: “Have a safe place ready in case he finds you.” The movie is dark and moody, with a more sophisticated ghostly tone than you might expect from the premise, and an emphasis on familial trauma — secrets and lies hidden in the estate’s attic — that preceded the elevated horror of Hereditary by a year. With it now streaming for free on Xumo Play, it’s worth checking out.
Anya Taylor-Joy Represents The Outside World in ‘Marrowbone’
Only oldest son Jack (Mackay) is allowed to take liberties to leave, which is how he meets Allie. Jack’s romantic connection to Allie stands in for the whole family’s desire to see her again. She effectively represents the entirety of the outside world, its possibilities and charms that the children are basically forbidden from experiencing. As Allie, Taylor-Joy creates a fantasy role, a more wholesome version of her Last Night in Soho character. (That ability to play the fantastical might explain why she got a role in a Lord of the Rings prequel.) With her loving personality, Allie seems to exist in a different reality than the grimy, scared world of the Marrowbone siblings, who work to maintain the fiction that their mother is still alive. Meanwhile, deep in the attic of the estate, dwells the alleged ghost of their father.
Marrowbone is ultimately a movie about storytelling, and Allie’s position as a librarian and bibliophile means that she is uniquely qualified to play a part in those stories. The illusions that the characters live in and the lies they tell themselves are bolstered by a sweet and soaring orchestral score by Fernando Velázquez, and the traumas of the characters’ past are effectively undercut by the new life they’ve found together, removed from the myriad abuses they experienced under their father. Allie finds her way to the truth of the matter, slowly but surely uncovering the reality of the Marrowbones, and it’s far darker than she could have imagined. As the movie goes on, her own sweet worldview is pulled apart profoundly by her revelations.
‘Marrowbone’ Uses All of Its Tricks to Create a Powerful Illusion
Besides the movie’s use of familial trauma to create a sense of horror and unease, another similarity to Hereditary is its use of the family home. Sergio Gutiérrez Sánchez’s ability to build Marrowbone around the house — its rusted gate, overgrown ivy, and shattered mirrors — plays a huge role in the impression the movie creates. Like Hereditary, there’s long shots from floor to ceiling that are oppressive and stultifying. Jack’s occasional taste of freedom is never enough to make you forget the world the family lives in. And Mia Goth, just a couple years away from creating two iconic horror characters with 2022’s X and its prequel Pearl, emphasizes this the most with her performance. Constantly holding onto little brother Sam (Matthew Stagg), her own motherly nature begins to look defensive and isolated.
The movie’s sense of its era also helps to create the tension between midcentury Americana and horror melodrama. In Marrowbone‘s elaborate production design, viewers get a sense of the darkness underlining its pretty facade, and the performances feel comfortably mannered as well. While Anya Taylor-Joy’s film career began with The Witch, a movie set in 17th century New England, she’s one of those rare actors who can work in just about any era, from 50 years ago to tens of millennia in the future with Dune: Part Two. Her slight 1960s demeanor fits perfectly with the caring naivete with which she approaches the Marrowbone lore. But the movie’s illusion-making comes to an end eventually, as its sharp truths slowly come to light.
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