Kylie Jenner was visibly uncomfortable when host Alan Cumming made a rather cheeky joke at the 2026 BAFTAs Sunday.

During the British Academy Film Awards at London’s Royal Festival Hall, Cumming weaved through the A-list audience to hand out “very British snacks.”

Upon coming up on Timothée Chalamet and Jenner, the “Traitors” host handed the actor British pub snack Scampi Fries while the makeup mogul was given a giant Jammie Dodger.

A Jammie Dodger is a popular British shortbread biscuit sandwich with a raspberry or strawberry-flavored jam filling and a heart-shaped cutout on top.

“Kylie, have you ever had your gums around a giant Jammie Dodger?” he asked her before offering her the snack.

Taken aback, she shook her head and said no before accepting the snack and muttering “thank you.”

Jenner, 28, and Chalamet, 30, kept their award show date night streak going when they pulled up to the BAFTAs in matching black ensembles.

The “Kardashians” star showed off her curves in a vintage black velvet Thierry Mugler gown embellished with colorful jewels at the bodice.

Meanwhile, the “Marty Supreme” actor kept things classy in a custom all-black outfit by Givenchy’s Sarah Burton that included a double-breasted tuxedo jacket, pleated trousers, a silk shirt and a bow tie.

Chalamet was nominated in the best leading actor category for his performance in “Marty Supreme.”

The film itself secured a whopping 11 nods this year, including for best film, best director, best original screenplay and best cinematography.

However, Chalamet — as well as the rest of the cast and crew — left completely empty-handed as “Marty Supreme” failed to win any accolades.

After keeping their romance under the radar since April 2023, Chalamet and Jenner have been stepping out during this year’s award season.

Most recently, Jenner accompanied Chalamet to the Critics’ Choice Awards on Jan. 4 and the Golden Globes on Jan. 11.

During both award shows, Chalamet won the award for best actor and thanked Jenner for her support and love.

Jennifer Lopez shared an emotional tribute to her twins, Max and Emme, on their 18th birthday.

The singer and actress shared an intimate video montage of her twins over the years on Instagram Sunday. Set to One Direction’s “18,” the video featured special moments in their lives, including Emme’s surprise appearance during her mother’s Super Bowl LIV halftime show alongside Shakira in 2020.

Lopez, who shares Emme and Max with her ex-husband, Marc Anthony, recalled giving birth to her twins in the middle of the night during a snowstorm in New York City.

“It was as if God was making sure you would enter a world full of pure magic!!” she wrote. “In my heart, I knew that’s how your life would always be!!”

“When I would hold you as infants, I honestly felt as if I were holding two angels sent straight from heaven above,” she continued, “My life was changed forever.”

The “Hustlers” star fondly referred to her children as her “coconuts.”

“‘I love you’ could never encapsulate the depth of feeling, affection, and care that I have for you, my coconuts,” she wrote. “It has always been the three of us!! We have been on this journey together.”

“We have always had each other to hold on to and be that steady presence in the middle of any snowstorm,” she added. “And I promise you, my beautiful coconuts, no matter how big you get, that’s how it will always be.”

“Always remember, Lulu, you are my sunshine…and Max, you’re amazing just the way you are!! … Happy 18th Birthday, my wonder twins!!!”

Last October, the twins made a rare appearance at the New York City premiere of her film, “Kiss of the Spider Woman.”

Lopez, 56, beamed as she posed with them on the red carpet.

Emme rocked a red velvet suit jacket, black satin shirt and a pair of black pants, while Max wore a multi-colored jacket over a burgundy sweater and a pair of khaki slacks.

Later that month, Lopez revealed that Max and Emme once confronted her about not being present in their lives as she navigated being a single mom following her divorce from Anthony.

During her appearance on “The Howard Stern Show,” she revealed that the pivotal conversation happened during the COVID-19 pandemic, when she was able to “stay home” and be more present,

“They spoke to me, [and] they’re like, ‘You’re not a regular mom. You’re not here every day. You don’t drop us off and pick us up like the other [moms],’” she recalled, noting that her kids were around the age of 10 at the time.

“And I realized how much they needed me there,” she added.

Tim McGraw is looking back at the most “controversial” song of his career.

During a recent interview on “The Tim Ferriss Show,” the 58-year-old country singer shared which song he had to fight to include on one of his albums, and why it was such a big risk.

“‘Indian Outlaw’ — because I had that song for my first album and nobody liked it,” he explained when asked for an example of a song of his he thought was “lightning in a bottle.” “The label didn’t like it. [Producer] James Stroud didn’t like it. Byron [Gallimore, his longtime producer and collaborator] liked it, but I couldn’t talk James into letting me record it and I couldn’t talk the label into it.”

According to the musician, the label told him “it was too controversial, and it was a bad song,” going as far as telling McGraw “it wasn’t country music” and would not get played on the radio.

He recalled the first night he heard the song, in the Hall of Fame Lounge and Hotel in Nashville, when he bumped into songwriters Tommy and Max D. Barnes, who played the song for him live.

“I heard it that first night and I started playing it immediately,” McGraw said. “Learned it and started playing it in all the clubs around town, the honky-tonks around town, and when we would travel and play clubs all over the country, I was playing that song, and we’d end up having to play it two or three times a night, four times a night, because people loved it so much.”

Due to his love of the song and the praise it was receiving at his shows, McGraw pleaded with his record label to include it on his debut album, but because he “didn’t have any say-so on the first album,” it was left off.

When it came time to cut his second album, “Not a Moment Too Soon,” the singer insisted it be included, noting, “I felt like this is either going to work in a huge way or it’s going to ruin my career forever.”

“Luckily, it worked,” McGraw added. “And I think that what kept me from being just sort of a novelty act with this sort of funky, weird song that made some noise was being able to come right behind it with ‘Don’t Take the Girl.’ I’ll forever believe that the combination of those two songs is what set my career in motion and gave me momentum that I probably couldn’t have gotten any other way.”

The song went on to become McGraw’s first top 10 country hit and went platinum.

McGraw touched on the controversy of “Indian Outlaw,” explaining, “I understood why it was controversial, because it was stereotypical, and it was sort of a play on Native American stereotypes. And there was a lot of controversy around it, and I understood the controversy and I wasn’t upset about the controversy.”

He added, “In fact, I met with several Native American leaders. Some liked the song, some didn’t like the song. And my answer was, ‘Look, I understand what your concerns are. The song’s not meant to be that way, I understand your concerns. My opinion, if you need to go after me in order to raise attention and awareness, by all means, use my song for that. If you like it or don’t like it, if you can make something good happen from it, then by all means, I’m not going to be offended.’”

The singer said that when he plays at Native American casinos, he offers to take the song out of his set, but “99 percent of the time, ‘That’s why we hired you, is to sing that song.’ So they love it. So it’s been really good to me.”

In October 2025, the singer opened up about a rough patch in his career following a series of injuries, which left him wondering if he would ever perform again, adding he nearly quit his career.

“I’ve had four back surgeries and double knee replacements, just in the last couple of years,” he told the crowd at his concert in Highland, California at the time.

He later added, “And this spring, before I had my final back surgery, things were getting really bad, so I was seriously contemplating and figuring out how to walk away. I didn’t want to, but I didn’t think it was going to get better.”

McGraw later shared that he has since gotten better and that while he was recovering he wrote the song, “King Rodeo,” which explores themes of aging and the struggles that come with it.

Lyrics of the song include: “Hey, King Rodeo, You’re lookin’ lonely / Like you’ve lost your one and only / Adoring crowds are not around you / Whispers and shadows, they surround you.”