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‘Taking my clothes off is my whole life!’ Bryan Cranston on the glorious gross-out return of Malcolm in the Middle | Television
The intro to the new Malcolm in the Middle is quite the thing. Kids punch police officers. Santa Claus gets kicked in the face. A barrel full of faeces detonates inside a family car. This recap of previous episodes is so full of gross-out comedy and family fights that a grandma grabs her teenage grandson and crushes his testicles until he squeals. “And,” intones a voiceover at its end, “someone actually asked for more of this.”
Did they? It’s been 20 years since the Emmy-winning sitcom about an outrageous working-class US family with the titular child genius went off air. It’s a show whose fans remember it fondly for never dipping in quality throughout its seven seasons. But were they really clamouring for more?
“It was in all the magazines,” says Frankie Muniz, AKA lead character Malcolm. In 2015, he casually tweeted that it would be “so cool” to catch up with the characters and “I couldn’t believe the response. I was shocked.” Although, really, he shouldn’t have been. After all, he’s spent decades getting first-hand experience of how much more loved the show is than he ever dreamed.
“One of the wildest was the first time I went overseas. I had no idea people knew the show there. I was in Geneva, walking with my girlfriend and people were looking. By the end of it, we were literally being chased down the street. When I’m in Europe or I’m in Mexico or in Central America, people love the show so much that … I’m not comparing myself to the Beatles at all, but it almost was that odd level of ‘What is happening?’”
Fans should be happy. The rebooted Malcolm in the Middle (subtitled Life’s Still Unfair, after the theme tune lyrics) is every bit the laugh-out-loud pleasure that the original was. The four half-hour episodes – which reunite the original cast for parents Lois and Hal’s 40th wedding anniversary celebration – are full of killer gags, surreal humour and OTT family showdowns ranging from siblings calling the tax office on each other to Malcolm attempting to win an argument about not being stuck up by keying his own car. It’s a comedic joy.
And it would never have been made without one man. The series really came to be following a conversation Muniz had shortly after that tweet. “I had dinner with Bryan and I remember him saying something like: ‘There’s no role I’d want to revisit more than Hal,’ so he took the lead. It’s thanks to Bryan that it really did happen.”
That, just to be clear, is Bryan Cranston. AKA the star of Breaking Bad, widely regarded as one of the greatest TV shows of all time. He won the Emmy for outstanding lead actor four times in five seasons, creating one of the finest performances ever committed to screen. Is it not surprising that the one role he’s keenest to reprise is a goofball dad with a penchant for stumbling into ludicrous slapstick scenarios?
“I think it’s because he’s been murdering so many people on other shows,” laughs Jane Kaczmarek, who plays Malcolm’s mother, Lois. “He’s like, wow, I can go back and be Hal again?”
The opportunity to have fun certainly isn’t one that Cranston wastes in the new episodes. He performs a full-on choreographed dance routine in a supermarket aisle. He attempts to microdose, accidentally takes enough hallucinogens for 15 elephants and ends up imagining himself as Nine Inch Nails’ Trent Reznor, replete with thigh-high leather boots. He is repeatedly naked, including a callback to Hal’s habit of stripping down so Lois can shave off his excess body hair while his kids watch on in horror.
“Taking my clothes off seems to be my whole life,” laughs Cranston – who recently won an Emmy for appearing in an episode of Seth Rogen comedy The Studio, in which he wore a leopardskin thong. “I thought a nudity clause meant that it was circumspect as to when someone was going to be naked. I didn’t know my agent viewed a nudity clause as ‘nudity is essential’. So here I am, a 70-year-old man parading around in his skivvies – or less.”
Cranston’s all-or-nothing approach won’t exactly shock fans of the original Malcolm in the Middle. As far as he was concerned, the more extreme his commitment, the funnier the joke.
“I can’t even recall all the things that I’ve done, but all in the name of comedy, man. You gotta go for it,” he says. “I was covered in blue paint. I was tied to the front of a city bus. I had 60,000 honey bees all over me – I got stung in my crotch. In one episode I had to drink a concoction of raw meat and eggs.”
You had to?
“Yeah, of course I did. Because I wanted to. Because I know the audience would wonder if I really did it. So in the same shot that I’m cracking eggs, putting raw meat in, and blending, I start drinking it.”
And this is the role you were desperate to do over?
“It was seven great years of my life – in which I met the most wonderful people. There’s no better job than going to work and thinking of how to be funny.”
The intervening years have taken the cast in very different directions. Kaczmarek took a hiatus from acting, as “my life went topsy-turvy. I got divorced shortly after the show ended and had three kids that I really wanted to raise.” Erik Per Sullivan, who played Malcolm’s younger brother Dewey, is currently studying for a master’s degree at Harvard – and is the only member of the original family to be recast (Kaczmarek: “He’s studying Dickens and is an incredible student – they offered him buckets of money to come back, and he just said: ‘No thank you’.”) Muniz threw himself into alternative ventures, from becoming a professional racing driver to running an olive oil shop with his wife in which he “was personally filling 600 bottles a day – because I want to make sure everything’s perfect”. The latter came as no surprise to the cast.
“I remember him saying once in the makeup chair he was thinking about buying warehouses in Australia,” laughs Kaczmarek. “And I thought, what 16-year-old kid is thinking about buying a warehouse? He was a good kid. He didn’t drink. He didn’t do drugs. He was a real straight arrow.”
Given that some of them stepped away from acting, you can’t help but wonder whether it felt odd to be back on screen. Especially given that one of them became quite possibly the greatest actor of his generation.
“I think Bryan was more nervous to work with me again,” laughs Muniz. “I wasn’t intimidated to work with him, because he’s always just been such an amazing guy to me. Throughout all the success he’s had, he’s always been there to support whatever I’m doing. When I had the olive oil company, he bought the olive oil. I was in a band, and he came to the shows. When I was racing, he checked on me after a wreck. I was just excited to spend more time with him.”
This is a vibe that comes across pretty clearly in the show. To see the cast back together is to marvel at chemistry that is somehow every bit as vigorous after two decades apart. Second child Reese (Justin Berfield) steals scenes with his hilariously malevolent rivalry with Malcolm and non-binary sibling Kelly (the one new addition to the cast, as Lois was pregnant with them in the original run, played by Vaughan Murrae). Eldest son Francis’s (Christopher Kennedy Masterson) manic – and futile – determination to be the apple of his mother’s eye is still hilarious (“Mom … I’m senior management. I have 75 people under me.” “That’s 75 people plotting to replace you!”).
It’s exactly the slice of joy the world needs right now. Did the team ever feel like helping to bring some laughter into people’s lives was a public service given how dark the world feels?
“Comedy is essential right now. It’s not even important. It’s essential,” says Cranston. “Because it’s a break from the bombardment of non-stop information. People who have the news on 24 hours a day in their homes, I don’t think they realise the damage they’re doing. You might as well make a house full of asbestos or just have radiation constantly emitting through your house.”
There is one thing about bringing the show back that doesn’t feel quite right, though. When the original run wanted to prove Lois’s unshakeable belief in Malcolm, it ended with her telling him he could be the greatest person on the planet – the US president.
“God, who would want to do that now?” says Kaczmarek. “Talk about unfair: look who we got as president. If only Lois had raised Donald Trump, she could have put a couple of good kicks up his backside.”
Malcolm in the Middle: Life’s Still Unfair is on Disney+ on 10 April.
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BTS fans pack Las Vegas Chinatown as Allegiant Stadium shows begin
LAS VEGAS (FOX5) — As hundreds of thousands of fans of K-Pop group BTS head into Las Vegas for Memorial Day weekend, numerous small businesses are being inundated with fans after a phenomenon: the BTS Army effect.
BTS will perform at Allegiant Stadium for four nights from May 23 through 28.
Across Chinatown, patrons will see lines outside restaurants and various establishments after a visit from one of the K-Pop band members or the group.
While BTS and members of the boy band have notably visited other popular establishments across Las Vegas, they have been spotted along the Chinatown corridor at popular mom-and-pop shops for good Asian eats.
MORE ON FOX5: BTS brings Arirang World Tour to Las Vegas, local businesses prepare for fan surge
“Where they go, we know it’s going to be good. We know there’s going to be a mob of people, but at least it’s like, our people,” said one fan who is coming in from the Bay Area, who had already seen a prior show locally.
Urban Matcha found a line outside the door, this morning, after band member J-Hope came Thursday for a shaved ice matcha dessert; millions of fans watched videos of the visit circulate on social media platforms.
Fans also visit establishments that appeared on a BTS Army “live feed;” other establishments hold BTS-themed special events with special menu items through the performance dates.
“Our small businesses in Chinatown and small businesses that are members of the Chamber are so excited for BTS to come here the second time around. They bring a factor to them as they love to support small businesses– and as they support small businesses, the Army follows and supports small businesses,” said Catherine Francisco of the AAPI Chamber.
The business boost comes after a packed previous weekend on the heels of the Electric Daisy Carnival in town; hundreds of thousands of attendees headed to Chinatown establishments in search of food and drink at all hours of the day and night.
“Everyone really discovering Chinatown– and its great businesses and great products and food and drinks. We thank them for really supporting small businesses,” Francisco said.
Establishments have ramped up staffing and preparations to accommodate extra patrons in town during the back-to-back EDC weekends and BTS performances, Francisco said.
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James Harden, Carmelo Anthony & the AI-Powered Hollywood Pivot

James Harden has spent more than a decade as one of basketball’s most mercurial superstars — an MVP, multiple-time scoring champion, 10-time NBA All-Star and one of the most inventive players of his generation. At his 2010s peak with the Houston Rockets, Harden turned step-back three-pointers and foul-drawing into an almost mathematical form of offensive domination, becoming both statistically unstoppable and endlessly polarizing. Few athletes of this era have generated more highlights, more debate or more internet discourse.
Now he may be trying to turn that persona into entertainment IP.
On March 5, Harden released an AI-generated basketball animation to his 11.9 million Instagram followers that focused on his life story, used his voiceover and had near Pixar-like character development. It was ambitious in a way celebrity content rarely is. Working with a leading AI studio, he created a short film that transformed his persona into a larger-than-life animated protagonist, remixing his NBA career into an anime-style mythology built for social media: oversized arenas, hyper-stylized basketball battles, emotional arcs, cinematic pacing. It felt less like a sponsored post than a test case for turning an active NBA player into a self-distributed entertainment universe — without waiting on Hollywood.
And people paid attention.
Fans online dissected every frame of the video, which was produced in under a week using AI-native production workflows. Some viewers praised the scale and speed of what had been created, comparing it favorably to Pixar characters. Others zeroed in on the flaws: Harden’s avatar occasionally appeared to shoot with the wrong hand, and the lettering on his jersey sometimes dissolved into visual nonsense. The reactions were split between fascination, skepticism, mockery and genuine curiosity, with one detractor blurting: “You rich bro, stop this.”
And yet, it’s undeniable that his engagement exploded. That tension — imperfect craft, massive speed, direct fan distribution — revealed how athletes can now build, test and own entertainment IP before Hollywood would have even scheduled the first general meeting.
Cecilia Shen, the founder and CEO of Utopai Studios who collaborated with Harden on this effort, says his anime clip became one of the highest-performing posts on the Cleveland Cavalier combo guard’s Instagram account, even though she wasn’t entirely aware that he was going to be posting this animation. “James went ahead and posted early, and I woke up that morning, and he just went ahead and posted the clip along with a fire emoji,” she recalls. Harden, 36, reportedly wanted to control his own brand, and has decided to keep making AI content for his fans. And so, just a few weeks later, he released his second anime, with the promise of delivering more on a consistent basis.
Now Carmelo Anthony is getting on board to develop original sports and entertainment IP entirely on his own terms by partnering with Utopai Studios. In addition, Anthony will be an investor in the company, and his first project, an anime-inspired property built around his cultural world, will roll out shortly as a recurring short-form series (like Harden’s). Shen says that it follows in a line of business strategy where athletes “should have control over their own IP.”
Below, I’ll get into what this creative intersection means for AI, athletes and Hollywood:
- How AI lets athletes turn persona into owned IP without waiting for a greenlight
- Why even LeBron James shows the stark financial limits of the athlete-as-media-mogul model
- The athlete-media Catch-22: Fame moves fast, Hollywood doesn’t
- Why James Harden’s rough AI anime may still be a distribution success
- How Carmelo Anthony fits into the new athlete-IP playbook
- The opportunity — and warning — this opens up for Hollywood
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