Entertainment
Oscars 2026 best and worst moments

The 2026 Oscars was one to remember on Sunday, with Conan O’Brien returning for his second consecutive year as host and presiding over a night filled with so many surprise inside the Dolby Theatre in Los Angeles.
It was one of the most exciting nail-biters in recent years, as only one of the acting categories was predictable — best actress winner Jessie Buckley for “Hamnet.”
Going into the night, the other races were a toss up, including a best actor face-off between Michael B. Jordan and Timothée Chalamet, and a best picture race between “Sinners” and “One Battle After Another.”
The “Best Supporting” actor and actress battles also had no clear frontrunners entering the evening, featuring Stellan Skarsgard, Sean Penn, Jacob Elordi, Teyana Taylor, Amy Madigan, Wunmi Mosaku, and more. (Penn and Madigan ultimately won).
Here are the best and worst moments of the night.
Best – Conan O’Brien’s opening
O’Brien’s monologue had a nice blend of goofy jokes (“Between ‘Hamnet’ and ‘Bugonia’ it’s been a big year for movies that sound like off brand lunch meat”) and sharp zingers (pointing out how no British actors were in the Best Actor race for the first time in years, but, “a British spokesperson said said ‘at least we arrest our pedophiles’”).
He also got in a timely jab at Timothee Chalamet for the “Marty Supreme” star’s viral comments about opera and ballet (“I’m told there’s concerns about attacks from both the opera and ballet communities”). The host concluded with an earnest salute to films for celebrating “global artistry” and “optimism” during a fraught time in the world. The comedian hit all the right notes.
Worst – the Leo moment in the monologue
O’Brien’s only “off” moment in the monologue happened when he cut to Leonardo DiCaprio in the crowd, and commented on how the “One Battle After Another” star is frequently the subject of memes.
“Let’s make a new meme with Leo, right now! That feeling when you didn’t agree to this,” O’Brien said, as the text came up onscreen. Sure enough, DiCaprio didn’t look too thrilled.
The joke was weak, it felt like it was written by a member of O’Brien’s writing staff trying too hard to appeal to Gen-Z.
Best – Amy Madigan’s chaotic speech
Madigan took home her the first Oscar in her long career, for her supporting role as Aunt Gladys in “Weapons.” The actress, 75, went to the stage cackling like the Joker, then gave a rambling speech with amusing asides. Madigan, who wore a pantsuit, mentioned how she tried to come up with her remarks while she was in the shower shaving her legs. “And I’m wearing pants, so I didn’t need to do that!”
Did we need to know that? Absolutely not, but Madigan’s oversharing was charming. She wrapped up with a sweet nod to actor Ed Harris, who she’s been married to since 1983. “He’s been with me forever and that’s a long ass time!”
Worst – weird sound editing
The sound went haywire in several instances over the course of the night, including getting too aggressive in bleeping out the cursing. It notably happened after “Frankenstein” costume designer Kate Hawley took home the deserved Oscar for that category. When she gave her speech, she thanked, “My family who put up with a lot of sh-t.” The sound cut out for an overly long time, not just censoring the word “sh-t” but taking out an entire sentence of her speech.
Not only is it not cool, but it also draws more attention to someone dropping a curse word, rather than smoothing over it.
Best – Conan’s YouTube bit
O’Brien did a bit mocking how the Oscars will air on YouTube starting in 2029. As the comedian started saying “I’ve been assure they won’t change,” he got interrupted by a jarring fake commercial featuring Jane Lynch – mocking how YouTube ads often burst in, at inopportune moments.
The “commercial” faded out, and the Academy Awards host said “sorry about that, but like I said, I don’t think this will change the Oscars at all –” before Lynch interrupted with another fake ad. The bit was amusing, accurate, and didn’t overstay its welcome.
Worst – A rare tie
Kumail Nanjiani, who was presenting the category of “best live action short film,” paused as he was reading off the winner. “It’s a tie. I’m not joking, it’s actually a tie,” he said. There was a brief silence, as everyone wondered if this was a “La La Land / Moonlight” snafu.
The winners, “The Singers” and “Two People Exchanging Saliva,” both gave speeches. In between them, Nanjiani improvised a solid joke on the spot (“Ironic that the short film Oscar is going to take twice as long!”)
A rare tie has happened six times in Academy Awards history. You’d think they’d build in some kind of fix to prevent such confusion from happening.
Worst – An anticlimactic end to the “Supporting actor” race
This year was an especially stacked “supporting actor” category. Hollywood veterans Stellan Skarsgard, 74, and Delroy Lindo, 73, have both been turning in great work for decades. Both have also been criminally under appreciated on the awards circuit, as both were first-time nominees. Jacob Elordi also gave one of the year’s best performances in “Frankenstein.” Any of them would be worthy winners. And yet, the choice was Sean Penn, who didn’t show up.
He’s won Oscars before, so there’s not much of an argument that it was “his time” over Skarsgard or Lindo. (And, his “One Battle After Another” character was cartoonish, so there’s not much of an argument that it was clearly the best among these options).
Kieran Culkin, who presented the award, quipped, “Sean Penn couldn’t be here this evening, or didn’t want to,” and O’Brien later remarked on Penn being “a no-show.” For such a strong year in this category, it ended in a flop.
Best – the “in memoriam” tributes to giants
This year was an especially tragic year for losing giants of the film industry, including Rob Reiner, Diane Keaton, and Robert Redford. The Academy Awards rose to meet the moment, astutely deciding not to group them in with the usual “in memoriam” montage. Instead, it gave each of them separate moments.
Billy Crystal, 78, came out to give a tribute to longtime friend Reiner. Referring to “The Princess Bride,” which Reiner directed and Crystal played Miracle Max in, Crystal said, “All we can say is, buddy, what fun we had storming the castle.” An assortment of actors from Reiner’s films then all stepped out onstage, including Mandy Patinkin, Cary Elwes, Meg Ryan, Kathy Bates, Jerry O’Connell, and Keifer Sutherland.
Rachel McAdams came out to speak about how Catherine O’Hara and Diane Keaton were inspirational to her. Barbra Streisand also came out to speak about Redford and sing, “The Way We Were.”
It was a sad but fitting tribute to lost pillars of Hollywood.
Best – the “Bridesmaids” reunion
Celebrating the fifteenth anniversary of the hit comedy, the stars came out onstage, including Maya Rudolph, Kristen Wiig, Melissa McCarthy, Rose Byrne, and Ellie Kemper.
Before presenting the nominees for “best score,” the actresses did a bit where they read notes “from the audience,” including a note supposedly from Skarsgard telling them that they all are “aging well,” and “all the things you’ve done to your face are very tasteful.” Byrne read a note supposedly from DiCaprio telling her, “can you please stop looking at me, the eye contact is too much.”
The actors gamely played along, with Skarsgard and DiCaprio smirking and gesturing, when the camera cut to them. The bit went on too long, as Wiig pointed out. Nevertheless, it was fun.
Best – “Sinners” cinematographer Autumn Durald Arkapaw makes history
Arkapaw was the first woman to ever win the Oscar in the Cinematography category. The cinematographer, who is Filipino and African American Creole, was also the first woman of color to ever be nominated. In her speech, she said, “I’m so honored to be here, and I really want all the women in the room to stand up, because I feel like I don’t get here without you guys.”
The A-listers in the audience all complied, with all the women in the crowd rising to their feet, applauding.
Best – an exciting end to the “Best actor” race
Michael B Jordan took home the top prize, ending a nail-biter of a race in this category. At the beginning of this season, Timothee Chalamet was the frontrunner, winning the Golden Globe and Critics Choice Award. But, things shifted when Jordan won the Actor award, and the room gave him a standing ovation, demonstrating his support among his peers. Chalamet also got too thirsty with his campaign. Entering the night, this race was a toss-up.
In his speech, Jordan said, “I stand here because of the people that came before me,” and named several black Oscar winners, such as Sidney Poitier and Halle Berry.
Jordan also sweetly addressed his fans and friends, saying, “I know you guys want me to do well, and I want to do that, because you guys bet on me.”
Entertainment
Why stars are flocking back to ‘outdated’ TV dramas
Like vinyl, broadcast TV may be en vogue again. Amid Hollywood contraction, old-school network jobs are suddenly sought after — or at least increasingly viewed as a steadier paycheck for Hollywood’s shrinking creative class.
“A lot of people who used to say to me, ‘I’m never doing a Law & Order show, I’m never doing that,’ are now like, ‘I’m trying to provide for my family. I’ve got two kids and I need to make sure I can put food on the table and still pay for this house,’” one top TV agent tells P6H.
Despite lacking coolness, broadcast jobs offer a level of stability streaming often cannot. “You’re not winning awards or getting nominated for anything if you’re doing a network show, but it pays the bills,” the agent said. “As much as it’s a dying medium, people still want to work there because you can have a consistent style of living and know what your life is like.”

NBC’s reboot of “The Rockford Files” is from Mike Daniels, who most recently was a co-showrunner of Peacock’s short-lived “Ponies.” His last network TV gig was in 2019 with the Jimmy Smits legal drama “Bluff City Law” (also on NBC). Greg Mottola is directing and producing the pilot — his most recent TV credits include a pair of high-profile streaming series, “Peacemaker” and “Nobody Wants This” — in his first network TV gig since he helmed the first three episodes of “Arrested Development.”
Allegra Edwards is co-starring in CBS’ vampire comedy “Eternally Yours,” following five-seasons on Amazon’s “Upload.” One of the bigger hits this past season, Fox’s “Best Medicine,” featured Josh Charles in his first network TV starring role since “The Good Wife.”

For younger actors, streaming still offers something broadcast largely does not: lead roles. “There’s no leads on network television shows for a 25-year-old girl,” the agent added. “But on streaming, you can be the lead of a show making a really good living at 20 or 25 years old.”
One of the biggest frustrations in streaming remains the long gaps between seasons. “You can shoot eight to 10 episodes in one year — after already waiting six months just to get to set — and then have 18 months between seasons,” the agent said. “So in three years, you’re shooting 16 episodes.”
For writers hoping to run their own shows, broadcast offers a stronger training ground, according to another TV lit agent. “You’re getting to produce earlier and you’re involved in production while you’re writing,” the agent said.
Yet another agent argued clients can no longer afford to be overly selective. “Back when all the streamers were launching, it was an arms race for talent,” the agent said. “We could negotiate huge deals and everyone was making money doing cool sh-t.”
Even so, fears remain that the networks could abandon scripted programming altogether in favor of sports and news, and sports-rights costs are expected to further erode scripted budgets. A fourth TV agent summed it up bluntly: “It all comes from somewhere, right?”
Entertainment
Kyle Richards says these under-$20 sunglasses are ‘giving Tom Ford’
Kyle Richards has access to practically any designer accessory under the sun, but she’s shopping these budget-friendly shades instead.
On a recent Amazon Live, the “Real Housewives of Beverly Hills” OG declared she’s done investing in pricey shades and prefers more affordable styles, like her go-to YMRFW Retro Aviator Sunglasses.
“I do not feel the need to buy any high-end, expensive sunglasses again,” she told viewers. “I get so many compliments on these.”

“They are giving Tom Ford,” she added of the sculptural sunnies, which ring in at well under $20 for a set of three. “I really do love these a lot, if I do say so myself.”
She even held up her personal pair on the Live, saying she’d worn them to the studio. (While she selected the all-black option, they also come tortoiseshell, leopard print and several other solid colors.)
Reviewers also give them high marks, with shoppers calling them “great quality” and a “10 out of 10.”
Richards’ “favorite” Amazon accessories also include the Vanlinker Aviator Polarized Sunglasses, which she assured viewers are very lightweight despite their trendy, oversized appearance.

“These are another beautiful frame that are an amazing price,” she said. “I just love these.”

As for her third “must-have”? Feisedy Retro Square Aviator Sunglasses, which come in a wide range of hues — including a dark green shade Richards raves about.
With sunnier days on the way, it’s safe to say she’s ready to start summer in style.
Why Trust Page Six Style Shopping
This article was written by Hannah Southwick, Commerce Associate Editor for Page Six. Hannah spies deals on actually affordable celebrity-worn styles, puts celebrities’ brands to the test and finds the beauty products that keep stars red carpet-ready. She consults stylists and industry pros — including celebs themselves — for firsthand product recommendations, trend predictions and more. In addition to writing for Page Six since 2020, her work has been featured in USA Today and Parade.
Entertainment
‘Squatters’ host Flash Shelton slams broken system that hands intruders the keys to your home

He thought it would be a simple call to law enforcement.
Instead, when intruders took over his late father’s home in 2019, “Squatters” host Flash Shelton says he was told there was nothing deputies could do.
The moment flipped everything he thought he knew about property rights, the reality TV star told Fox News Digital.
Shelton, who had moved his mother into his own home while the family was grieving, had an instinct to protect his family.
Shelton explained that what would shock most Americans isn’t just that squatters can occupy homes, but also how the law treats them once they’re inside.
“All of the rights, not just some of the rights, but all of the rights fall to the squatter,” he said.
Shelton added that many homeowners would be surprised to hear “that a squatter just has to create reasonable doubt to be given full rights as a tenant.
There isn’t a system in place that says that you have to have a lease, or you have to be able to show rent payments to be a tenant. That if you have possession you have rights.”
In his experience, homeowners don’t stand a chance.
“Squatters figure out different ways to take properties, and they know what to say,” Shelton noted. “The whole system is wrong.”
Shelton claimed some squatters even secure leases with false promises of paying rent. Once that lease is in place, he explained, they are treated as full tenants.
“Every single other contract would be null and void if you enter it, and you sign it under fraudulent means,” he explained.
“Originally, the system was designed because they were looking at homeowners as being rich, and they were looking at tenants as being poor,” Shelton said. “So they created a system to level those terms. But what they forgot is the fact that homeowners are not all rich and just because you own a mortgage, doesn’t mean that you have money. It is unfavorably unbalanced right now and it is failing homeowners.”
And when it comes to lawmakers who defend the system?
“I think they need to understand and try to relate to somebody that doesn’t have the money to go through these situations and understand that some of these people are losing homes over this because they can’t afford to fight.”
Shelton carved out a niche in the digital space as an anti-squatter activist turned content creator, gaining widespread attention for his viral “Squatter Hunter” videos. His popularity led to the creation of the A&E show “Squatters.” He used social media to shed a light on this homeowner issue by uploading viral TikTok confrontations with alleged squatters, YouTube long-form breakdowns of property disputes and collaborations with homeowners documenting eviction standoffs.
His latest venture, “Squatters,” focuses on him and his team as they help homeowners across the country.
While some critics have labeled Shelton’s tactics aggressive, he insists he operates within the law. When he first worked to get his parents’ home back, Shelton figured out a way to mirror the same legal framework he says squatters exploit.
“I had to take it into my own hands and figure it out, and I learned everything about squatters,” Shelton said. “I figured out that if they could take the house, I could take the house, and I was gonna go take my house back.”
Shelton recalled accusing him of being a vigilante as he took matters into his own hands.
“I do a lot to make sure that I am working within the guidelines of law,” he emphasized to Fox News Digital. “Not only to protect myself, but also to protect the homeowners.”
He added, “I am taking the laws and, in a way I’m doing similar to what like – squatters are taking a law that allows them to do something, and they are taking a home.”
“I am doing things in a legal way to take the home back, and I’m not going in with firearms in any way,” Shelton explained. “I am not putting myself or my team in harm. We are doing a lot of research to make sure that everyone is going to be safe … not everyone is going to agree with what I do. But how I defend what I do is preparation research and I do everything that I can to make sure that it’s safe and legal.”
With the premiere of “Squatters” on May 12, Shelton said his goal is to raise awareness and help families across America who can’t afford to fight.
“The thing that I’m most excited about the show is that it gives me an opportunity to bring even more awareness and most importantly, help more families across America,” he said. “Because I was bringing awareness prior to the show, but I think this just helps me take it to another level and a whole new audience. And it enables me to help more families.”
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