Entertainment
Tim McGraw reveals most controversial song Indian Outlaw after industry tried to cancel hit

Tim McGraw is looking back at the most “controversial” song of his career.
During a recent interview on “The Tim Ferriss Show,” the 58-year-old country singer shared which song he had to fight to include on one of his albums, and why it was such a big risk.
“‘Indian Outlaw’ — because I had that song for my first album and nobody liked it,” he explained when asked for an example of a song of his he thought was “lightning in a bottle.” “The label didn’t like it. [Producer] James Stroud didn’t like it. Byron [Gallimore, his longtime producer and collaborator] liked it, but I couldn’t talk James into letting me record it and I couldn’t talk the label into it.”
According to the musician, the label told him “it was too controversial, and it was a bad song,” going as far as telling McGraw “it wasn’t country music” and would not get played on the radio.
He recalled the first night he heard the song, in the Hall of Fame Lounge and Hotel in Nashville, when he bumped into songwriters Tommy and Max D. Barnes, who played the song for him live.
“I heard it that first night and I started playing it immediately,” McGraw said. “Learned it and started playing it in all the clubs around town, the honky-tonks around town, and when we would travel and play clubs all over the country, I was playing that song, and we’d end up having to play it two or three times a night, four times a night, because people loved it so much.”
Due to his love of the song and the praise it was receiving at his shows, McGraw pleaded with his record label to include it on his debut album, but because he “didn’t have any say-so on the first album,” it was left off.
When it came time to cut his second album, “Not a Moment Too Soon,” the singer insisted it be included, noting, “I felt like this is either going to work in a huge way or it’s going to ruin my career forever.”
“Luckily, it worked,” McGraw added. “And I think that what kept me from being just sort of a novelty act with this sort of funky, weird song that made some noise was being able to come right behind it with ‘Don’t Take the Girl.’ I’ll forever believe that the combination of those two songs is what set my career in motion and gave me momentum that I probably couldn’t have gotten any other way.”
The song went on to become McGraw’s first top 10 country hit and went platinum.
McGraw touched on the controversy of “Indian Outlaw,” explaining, “I understood why it was controversial, because it was stereotypical, and it was sort of a play on Native American stereotypes. And there was a lot of controversy around it, and I understood the controversy and I wasn’t upset about the controversy.”
He added, “In fact, I met with several Native American leaders. Some liked the song, some didn’t like the song. And my answer was, ‘Look, I understand what your concerns are. The song’s not meant to be that way, I understand your concerns. My opinion, if you need to go after me in order to raise attention and awareness, by all means, use my song for that. If you like it or don’t like it, if you can make something good happen from it, then by all means, I’m not going to be offended.’”
The singer said that when he plays at Native American casinos, he offers to take the song out of his set, but “99 percent of the time, ‘That’s why we hired you, is to sing that song.’ So they love it. So it’s been really good to me.”
In October 2025, the singer opened up about a rough patch in his career following a series of injuries, which left him wondering if he would ever perform again, adding he nearly quit his career.
“I’ve had four back surgeries and double knee replacements, just in the last couple of years,” he told the crowd at his concert in Highland, California at the time.
He later added, “And this spring, before I had my final back surgery, things were getting really bad, so I was seriously contemplating and figuring out how to walk away. I didn’t want to, but I didn’t think it was going to get better.”
McGraw later shared that he has since gotten better and that while he was recovering he wrote the song, “King Rodeo,” which explores themes of aging and the struggles that come with it.
Lyrics of the song include: “Hey, King Rodeo, You’re lookin’ lonely / Like you’ve lost your one and only / Adoring crowds are not around you / Whispers and shadows, they surround you.”
Entertainment
Christina Applegate hospitalized amid MS battle: report

Christina Applegate is reportedly hospitalized in Los Angeles, according to a report from TMZ.
The actress, 54, who has battled multiple sclerosis since a diagnosis in 2021, is said by the outlet to have been admitted in late March.
It is not apparent if her alleged hospitalization is related to that condition.
A representative for Applegate told Page Six: “I have no comment on whether she is in the hospital or what her medical treatments are. She’s had a long history of complicated medical conditions that she has been refreshingly open about, as evidenced in her memoir and on her podcast.”
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Applegate has been consistently open about her condition, giving details about it as recently as Feburary, revealing that she’s confined to her bed due to ongoing pain.
The “Married… with Children” alum made the heartbreaking confession while discussing how she still tries to take her 15-year-old daughter, Sadie, to school and other activities during an interview with People.
“I want to take her; it’s my favorite thing to do. It’s the only time we have together by ourselves,” she said. “I tell myself, ‘Just get her there safely and get home so you can get back into bed.’ And that’s what I do,” she told the outlet.
Applegate shares her daughter with Dutch musician Martyn Lenoble, whom she married in 2013.
The “Sweetest Thing” star revealed her MS diagnosis in August 2021 in an emotional statement on X (formerly Twitter).
“Hi friends. A few months ago I was diagnosed with MS. It’s been a strange journey. But I have been so supported by people that I know who also have this condition,” she wrote at the time.
“It’s been a tough road. But as we all know, the road keeps going. Unless some a–hole blocks it,” she continued.
“As one of my friends that has MS said, ‘We wake up and take the indicated action.’ And that’s what I do. So now I ask for privacy. As I go through this thing. Thank you xo.”
She’s probably best known for her breakout role as rebellious teenager Kelly Bundy on the bawdy sitcom “Married … with Children,” on which she starred from 1987 to 1997.
Applegate has a recently released memoir, “You With the Sad Eyes,” which discusses her tenure in Hollywood as well as her struggles with MS.
Entertainment
After Dianna Russini exit, Times staffers slam Athletic’s ‘reflexive’ response to Mike Vrabel photos

The Gray Lady is feeling a little exposed, it seems.
Page Six hears that the Dianna Russini-Mike Vrabel scandal has caused some tension between New York Times staffers and the leadership of new stablemate the Athletic — with Times insiders grousing that the Athletic’s “reflexive” downplaying of the story embarassed Times journalists.
The Times bought sports site the Athletic in 2022 for around half a billion dollars, shut down its owns sports department and began, in effect, using the Athletic as its sports desk.
But in theory, the Athletic remains a separate entity under the Times’ umbrella, much like consumer vertical Wirecutter, which it acquired in 2013. Its staffer also don’t have to observe the official Times Code of Conduct.
As Page Six prepared to published photographs of the Athletic’s top NFL reporter Russini holding hands with New England Patriots head coach Vrabel at a luxurious Arizona resort, the Athletic’s executive editor, Stephen Ginsburg, told us, “These photos are misleading and lack essential context. These were public interactions in front of many people. Dianna is a premier journalist covering the NFL and we’re proud to have her at the Athletic.”
(Russini and Vrabel — who are both married to other people — have denied that there was anything improper about the meetup, and have said that they were both with groups of other friends at the hotel, though nobody else appears in any of the photographs).
Two days later, we reported that the Times launched an investigation into the matter and that Russini had been sidelined until the probe could be completed.
“It was really embarassing for the Times,” said one insider, who told us that after the story broke it was a major talking point on various desks across the Times newsroom, “It raised a lot of concerns because its something that should be taken seriously and [the statement] made it seems as if they didn’t think it warranted investigation.”
Our source said that its drilled into Times staff that they have to avoid even the appearance of an improper relationship with sources, and that the photographs raised unavoidable questions about whether Russini had crossed that line.
They said that staff at the Athletic and the Times “should be abiding by the same standard,” because the Vrabel episode makes in clear that — while “the Times likes to pretend they’re separate” — readers don’t make a distinction.
“It’s frustrating that in this instance it comes back to bite us,” said the source, “It lays bare this fake distinction.”
The source was at pains to point out that the gripe isn’t about the Athletic staff. “Anyone could make a mistake [like Russini appeared to have done in the pictures],” they said, “Someone on the Times could just as easily do that.” “It’s about the leadship,” they said.
Russini resigned on Tuesday, posting a statement on X saying, “I have covered the NFL with professionalism and dedication throughout my career, and I stand behind every story I have ever published,” the letter said. “When the Page Six item first appeared, The Athletic supported me unequivocally, expressed confidence in my work and pride in my journalism. For that I am grateful.”
“In the days that followed, unfortunately, commentators in various media have engaged in self-feeding speculation that is simply unmoored from the facts,” Russini continued, adding that she has “no interest in submitting to a public inquiry that has already caused far more damage than I am willing to accept.”
Meanwhile, Ginsberg told staff on Slack that he had begun an investigation as soon as he learned of the Vrabel issue, though “our instinct [was] to support and defend a colleague [publicly] while we continued to review the matter.”
He said that as “additional information emerged… new questions were raised that became part of our investigation.”
He said that the inquiry would continue even though Russini had quit the publication would “continue a standards review of Dianna’s work that [the Athletic editorial director for standards and editorial quality] Mike Semel is leading.”
A rep for the Times didn’t comment.
Entertainment
‘Hunger Games’ actor arrested for assault with a deadly weapon, intent to kill

“Hunger Games” star Ethan Jamieson was arrested for allegedly assaulting three men with a deadly weapon with the intent to kill.
The actor, who portrayed the District 4 male tribute in the 2012 movie, was taken into custody after allegedly attacking the men with a 9mm semi-automatic handgun in Raleigh, North Carolina, TMZ reported Tuesday.
The alleged victim’s names weren’t revealed and were instead listed as E.F., J.M., and K.W.
According to Jamieson’s arrest report, he was previously arrested for allegedly “resisting a public officer” while in Raleigh in March 2025, per Us Weekly.
He was sentenced for the offense on March 26, according to People.
Jamieson, 27, got his start in the limelight when he scored a guest role in “One Tree Hill” in 2009.
He then starred in the 2010 movie “The Rusty Bucket Kids: Lincoln, Journey to 16” as Ethan.
Jamieson’s last role was in a 2013 episode of “Justified” as Milo Truth.
The actor previously gushed over filming “The Hunger Games” alongside Jennifer Lawrence, Liam Hemsworth and Josh Hutcherson.
“I knew that the books were popular, but I didn’t know that the movie was going to be so big,” he told Lancaster Online when the movie was released in 2012.
However, Jamieson admitted that he didn’t want to be a full-time actor and wanted to be a “normal person.”
That same month, he recalled working on the Gary Ross-directed set, telling Clevver TV, “There are a lot of good things [about production], but pulling pranks on each other was pretty fun.”
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