Entertainment
All About Joely, Carlo and Natasha
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Vanessa Redgrave is part of a British acting dynasty that spans more than five generations — and includes her three children, Joely Richardson, Carlo Gabriel Nero and the late Natasha Richardson.
The daughter of British actors Sir Michael Redgrave and Rachel Kempson, Redgrave’s acting roots can be traced back to the 1800s, when her grandparents performed in silent films and in the theater.
The next generation of family talent arrived when Redgrave had three children of her own. The award-winning actress had two daughters with her first husband, the late British filmmaker Tony Richardson: Natasha Richardson, born in 1963, and Joely Richardson, born in 1965.
Following her split with Richardson, Redgrave welcomed a son, named Carlo Gabriel Nero, in 1969 with Italian actor Franco Nero. All three of Redgrave’s children continued the family’s legacy in the entertainment world, with Natasha and Joely pursuing acting and Carlo working as a writer, producer and director.
And while Redgrave has experienced years of success onstage and on-screen, her most treasured role is that of being a mom.
“Even if you’ve got a job you love and a husband you adore, once you have children that’s what you live for,” she told The Standard in 2015.
Here is everything to know about Vanessa Redgrave’s three children, Joely Richardson, Carlo Gabriel Nero and the late Natasha Richardson.
Natasha Jane Richardson
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Redgrave and Richardson welcomed their first child, Natasha, on May 11, 1963, in London.
The daughter of an actress and a director, Natasha began performing from a young age: She made her first movie appearance as an extra at the age of 4 in a film directed by her father and starring her mother, 1968’s The Charge of the Light Brigade, according to The New York Times.
It would not be the last time Natasha worked with her parents. At 22 years old, she appeared alongside her mother in the 1985 London production of The Seagull. Natasha revealed that working with her mother was “a dream come true,” but also intimidated her.
“She rehearsed like a tornado,” Natasha told The New York Times Magazine in 1993. “I was terrified of being on stage with her.”
In the early 1990s, Natasha moved to New York to continue her acting career and build a reputation of her own, outside of her family’s acting history. Over the next 15 years, her success spanned from the stage to the small and big screen. Some of her most famous roles came on Broadway — where she won a Tony Award for her 1998 performance in Cabaret — and on the silver screen, including her fan-favorite performance in the 1998 Disney remake of The Parent Trap, opposite Dennis Quaid and Lindsay Lohan.
“It just didn’t matter how much work I did in England, I continued to be seen simply as a Redgrave,” she told The Guardian in 2003. “I did feel I could be who I am in New York and we all like to feel appreciated.”
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In her personal life, Natasha was married twice: First, to British producer Robert Fox from 1990 to 1992, and then to actor Liam Neeson, whom she met in 1992 while they performed together in the Broadway revival of Anna Christie. The couple married in 1994 and had two sons together, Michéal Richardson and Daniel Neeson.
However, their love story was tragically cut short when Natasha died on March 18, 2009, following a ski accident on Quebec’s Mont Tremblant. She was 45 years old.
Natasha’s untimely death devastated her family, including Neeson, her children and her mother, who opened up to PEOPLE in 2019 about the heartbreaking loss.
“Time does not heal; that would seem to me to say that suddenly it’s okay, and it’s not,” Redgrave told PEOPLE a decade after her daughter’s passing. “It never becomes OK.”
Joely Kim Richardson, 60
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Redgrave and Richardson welcomed a second daughter, Joely Kim, on Jan. 9, 1965. As a teen, she had ambitions to become a professional tennis player — even moving from London to Tampa, Fla., to train — but eventually gave up the sport to pursue acting.
As an actress, Joely’s early successes came primarily on-screen: She nabbed her first major film role in 1988’s Drowning by Numbers and earned critical praise for her starring role in the 1993 television adaptation of Lady Chatterley. But Joely is best known for her roles on the FX hit television show Nip/Tuck, where she starred as Julia MacNamara from 2003 to 2010 (and Redgrave made guest appearances as her mother), and the Showtime period drama The Tudors.
Redgrave and Joely appeared in four films together, as well: In 1968, Joely appeared as an extra alongside her mother and sister in The Charge of the Light Brigade; Joely then played the younger versions of her mother’s characters in 1985’s Wetherby and 2011’s Anonymous. The two reunited on-screen once again in 2018’s The Aspern Papers.
Given her family’s legendary history with theater, Joely also embraced stage roles later in her career, performing in London and off-Broadway in New York.
“People would say, ‘Oh, you’re from this big theatrical dynasty,’ and I’d think, ‘Well, I’m doing an American TV show.’ I felt like a phoney,” she told The Telegraph in 2015. “I thought, I have to earn my stripes and I’ll do it slowly, and that’s sort of what I’ve done.”
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Joely married film producer Tim Bevan in 1992; the couple had one daughter, Daisy, the same year. Bevan and Joely split in 1997 and divorced in 2001, which Joely described as “a pretty low time” to The Guardian. However, it was the death of her older sister, Natasha, that left her forever changed, as she revealed to Tatler in 2009.
“The shock shatters you on a cellular level, and it takes time for the pieces to come back together, albeit in a different formation,” she said about Natasha’s tragic death. “I cannot imagine that there will ever be a day when I don’t think of Tasha.”
The loss of her sister gave Joely a new appreciation for life and for family, including her mother, who suffered a near-fatal heart attack in 2015.
“Try to find the joy in life because we are so lucky to be here,” Joely told PEOPLE in 2019. “Every day, every birthday that goes by, I’m just so grateful.”
Carlo Gabriel Nero, 55
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Redgrave and director Nero welcomed a son named Carlo Gabriel on Sept. 16, 1969. The former couple reunited more than three decades later, rekindling their romance and marrying on Dec. 31, 2006.
During his childhood, though, Carlo split his time between his mother in London and his father in Italy.
“Seeing us unhappy made Carlo unhappy,” Redgrave told The Times in 2016. “I hated that. I didn’t want us to fight over his future, so we did our best to share the time with him. He had his life with his father and his life with me.”
Despite their best efforts, Carlo found some elements of his childhood “difficult” — particularly shuffling between two homes in two different countries.
“That left me with a bit of a dual personality, constantly adapting to whichever country I was in,” Carlo told The Times. “I’m sure it affected my sense of security. I never grasped that idea of ‘home.’ ”
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While his mother and sisters preferred acting, Carlo has made his career behind the camera. After attending film school in Italy and at NYU, Carlo has worked as a writer, producer and director — even directing his mother and sister Joely in the 2004 psychological drama The Fever.
Carlo and his mother teamed up once again to form a small film company together, Dissent Projects, that produces documentaries, including 2017’s Sea Sorrow.
“It’s no surprise that Carlo has ended up in the film business; he just happens to prefer being on the other side of the camera,” Redgrave told The Times about her only son. “I’m not sure if he’s learnt anything from me, but I’ve certainly learnt things from him. Yes, he’s my son, but he’s also a great director who’s earned respect through hard graft.”
Outside of his filmmaking career, Carlo is married to actress Jennifer Wiltsie. They share three children together.
Entertainment
Inside top Comic-Con activations from ‘Lanterns’ to ‘Percy’

While A-list celebs from Ryan Gosling to Johnny Depp appeared at San Diego Comic-Con to promote their blockbuster studio projects, several brands launched free activations for fans downtown — with or without the pricey passes.
Here’s a rundown of the top activations:
HBO Max emerged as MVP of the Gaslamp Quarter this year, putting on two takeovers of downtown locales to tout new shows, DC’s “Lanterns” and “Big Bang Theory” spin-off, “Stuart Fails to Save the Universe.”
The “Lanterns Training Headquarters” at the sprawling Venue 808 gave attendees a chance to be recruited into the Green Lantern Corps for an interactive journey. Hands-on training included an escape room, a “freefall flight test,” target practice at a shooting range (they weren’t real guns), and, of course, souvenir Green Lantern rings.
Stars Kyle Chandler, Aaron Pierre, Garret Dillahunt and Poorna Jagannathan, alongside creators and writers Chris Mundy, Damon Lindelof and Tom King stopped by to take on the challenge themselves.
“Stuart Fails to Save the Universe” brought a slice of Pasadena to the Sparks Gallery with a painstakingly detailed recreation of the series’ iconic comic book store. Fans were treated to a multiverse-spanning adventure taking them through a series of alternate realities.
Creators Chuck Lorre, Zak Penn and Bill Prady, plus stars Kevin Sussman, Lauren Lapkus, John Ross Bowie and Brian Posehn, stopped by to rifle through comic books and try their hand at failing.
For horror fans, Eli Roth‘s “Ice Cream Man” scooped up chills with a disturbing, but delicious event at Kansas City BBQ, where the director and his unsettling mascot, Merle, were spotted playing tetherball with a severed head amidst a playground massacre. (An ice cream truck trilled a familiar tune in the background).
“It’s such a great year for horror. This sundae is just the cherry on top,” Roth said of the genre’s recent box office boom.
Meanwhile, Disney Entertainment Television also made its presence known downtown with a mythical “Percy Jackson and the Olympians” activation across from the convention center, plus a “Hulu Animayhem: Fandom Fuel Up” featuring themed food from “King of the Hill” (Bobby Hill’s Robata Chane) and “Futurama” (Planet Espresso).
Paramount saw lines for its annual downtown “Lodge” at Happy Does, featuring photo ops and freebies for properties like “Avatar: The Last Airbender,” “South Park” and “Star Trek: Strange New Worlds.” There was even an alien DJ on hand to set the scene as guests sipped on galactic drinks named Cosmic Drops and Vulcan Sunsets.
Outside of the studio scene, collectible company Super7 hosted an adorable Peanuts pop-up shop celebrating Snoopy’s lesser-known siblings, partnering with Best Friends Animal Society to support real-life dog adoptions.
The year’s biggest parties included Fandom’s annual Thursday night bash atop the Hard Rock Hotel, a Friday soiree at Parq Nightclub celebrating 20 years of “Pan’s Labyrinth” with director Guillermo del Toro, plus IGN and Prime Video’s party on Friday evening, which saw “The Lord of the Rings: The Rings of Power” star Jamie Campbell Bower take a spin at the DJ booth.
Entertainment
Rarely-seen ’80s star Kristy McNichol appears in ‘fangirl’ Carnie Wilson’s selfie

Carnie Wilson had a “fangirl” moment with Kristy McNichol decades after the actress’ retirement.
“Totally fangirling!!!” the singer, 58, recently gushed via Facebook. “Kris ( Kristy McNichol) was a part of my youth. I adored her in her movies … especially ‘Little Darlings’ and ‘The End.’”
The Wilson Phillips member told McNichol, who left the entertainment industry in 2001, “how meaningful her movies are to [her] and [her] bestie.”
Carnie noted in the July 20 upload that she and her pal “were just talking about her … and how special” the 63-year-old is.
Calling McNichol a “gracious sweetie,” she concluded that the “Bionic Woman” star “sure is loved.”
She snapped a selfie with the rarely-seen star, with McNichol smiling in a zip-up jacket and white tee.
Carnie, for her part, sported a patterned top and a black beanie in the cozy shot.
McNichol was a child star who won two Emmys for her role as Letitia “Buddy” Lawrence on “Family” between 1976 and 1980.
Her other notable TV role included Barbara Weston in “Empty Nest,” a “Golden Girls” spinoff.
She is best known for playing Angel in “Little Darlings” in 1980 and Polly in “Only When I Laugh” the following year.
McNichol was nominated for a Golden Globe for the latter.
When she retired from the entertainment industry, McNichol released a statement reading, “My feeling was that it was time to play my biggest part – myself! I must say that it has been the best thing that ever happened to me. So many fans are disappointed that I’m not currently acting; however, some may not realize that the process I’m in at this time is necessary and vital for my personal happiness.”
She chatted with People about the decision in 2014.
“I was on the big stage between ages 8 and 30,” McNichol explained. “I left show business for a variety of reasons, but a big one was my interest in learning what else there is in life.
“This phase of my life is so good,” she continued. “My home life is happy and serene. I love singing. I also enjoy traveling and seeing the world. One of my favorite stops is Hawaii. I like everything about it and may eventually move there part-time.”
When asked about plans to return to her Hollywood career, McNichol quipped, “Never say never.”
Entertainment
Usher boots fan off stage after her painfully awkward response to his seductive dance moves

Usher quickly put a stop to sexily serenading a fan onstage after she got visibly uncomfortable.
In a now-viral moment from the singer’s performance in Nashville on The R&B Tour with Chris Brown on Saturday, a woman from the audience got pulled onstage as the chosen fan Usher sings to. But as a shirtless Usher started singing to her, she looked painfully uncomfortable, though he continued to try to interact with her by lightly touching her chin and face.
But when he tried to get her to recline on the onstage bed and she stiffly moved back, the 47-year-old singer pulled away.
“I don’t think she want to be on the stage, huh?” he asked the audience, looking bewildered.
Eventually, the “Yeah!” singer stepped away from her completely and waved his hand backwards towards the stage in a signal to bring the fan off, looking annoyed as some fans began to boo.
The fan later took to social media to clap back at criticism she received, responding to comments that she should have never agreed to go onstage if she didn’t want to be there.
“First off NOBODY is declining to go on stage,” she wrote. “I looked good asf, you think I wasn’t going to let THOUSANDS of people see me?”
She shared that she and her mom had floor seats to the show, and she was moved up to the VIP section before the concert even started due to “pretty privileges.”
“They don’t say who you’re going up there for!” she wrote. “Y’all wanted me to go up there and f–k him atp?”
On Sunday, she posted selfies, and pointedly captioned her post, “Unbothered 😘.”
But she continued to defend herself on her Instagram Stories, insisting her attitude wasn’t “nasty.”
“Y’all aren’t gonna get on the internet calling me out my name and disrespecting me and expect me to keep it cool!” she expressed, adding, “Don’t think that yall are gonna bully me about an experience that yall didn’t get!”
Usher is known for his spicy concert interactions with fans. His bodyguard hilariously went viral in 2024 for seemingly looking disgusted on the Past Present Future Tour, during the part of the singer’s show when he would let audience members seductively eat cherries.
Usher’s co-headliner, Chris Brown, also went viral in September 2025 but for an entirely different reaction that he got to pulling a fan onstage — that fan being Travis Kelce’s ex Kayla Nicole.
Brown, 37, gave Nicole, 34, a sensual lap dance while singing his 2007 hit, “Take You Down,” during the singer’s Breezy Bowl XX Tour stop in Los Angeles, prompting mixed reaction online. Some fans thought the two went too far, while others praised Nicole for seizing the moment.
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