Entertainment
Blake Lively asks judge to block Justin Baldoni from obtaining Taylor Swift messages

Blake Lively filed a motion asking the court for a “protective order” to block Justin Baldoni from accessing her text messages with Taylor Swift as their nasty legal battle rages on.
The “Age of Adeline” star filed documents to New York judge Lewis J. Liman, who has presided over the case thus far, on Friday, alleging that the director and his team’s pursuit of her exchanges with the pop star are part of their long-planned “tactic” to leverage the singer and her fans.
According to documents obtained by Page Six, Lively claims that her communication with Swift is “not central” to her complaint against the actor and are “irrelevant” to his Wayfarer production company’s claims.
“Throughout litigation, and particularly over the past month, the Wayfarer Parties have repeatedly
used Ms. Swift’s name as part of their media strategy,” the letter reads.
As Baldoni’s team dropped their probe into Swift, 35, and Lively’s friendship, claiming that they obtained the details they wanted, Lively’s team claimed to the judge that a continued pursuit would be “duplicative, cumulative, and unnecessary.”
“Justin Baldoni and the Wayfarer parties are still demanding access to Taylor Swift’s private communications—despite having already subpoenaed and then withdrawn that subpoena after they ‘got all they needed,’” a spokesperson for Lively told Page Six of the new legal move.
“As reflected in today’s filing, their intent to drag Taylor Swift into this was evident as far back as August 2024, when the crisis PR firm led by Melissa Nathan included her in their ‘Scenario Planning’ document and flagged the ‘TS fanbase’ as something to take ‘extremely seriously.’”
The statement closed: “The ongoing attempts to once again try and use the world’s biggest star as a PR tactic in this matter reflects a public unraveling of epic proportions—and serves only to distract from the fact that Justin Baldoni’s lawsuits against Ms. Lively, Ryan Reynolds, their publicist, and the New York Times have been entirely dismissed.”
Reps for Baldoni and Swift did not immediately respond to Page Six’s requests for comment.
The director, 41, initially dragged the pop star into his messy legal feud with Lively in January when he launched his $400 million countersuit against the “A Simple Favor” star and her husband, Ryan Reynolds.
His attorney Bryan Freedman alleged that Swift was at the scene of a significant meeting between the two co-stars.
He also claimed that the “Gossip Girl” alum, 37, weaponized her friendship with Swift in an attempt to take control of their film set.
After hitting the “Bad Blood” hitmaker with an official subpoena in May, Baldoni and his legal team dropped it and their probe into her friendship with the actress later that month.
At the time, Lively’s rep responded to the update, saying, “We are pleased that Justin Baldoni and the Wayfarer Parties have withdrawn their harassing subpoenas to Taylor Swift and her law firm.”
“We supported the efforts of Taylor’s team to quash these inappropriate subpoenas directed to her counsel and we will continue to stand up for any third party who is unjustly harassed or threatened in the process.”
In a shocking legal twist, the director’s countersuit against the famous couple was thrown out by the New York judge on Monday — along with his $250 million libel lawsuit against the New York Times.
In his reasoning, the magistrate wrote that the “Jane the Virgin” alum and his Wayfarer Studios production company “have not alleged that Lively is responsible for any statements other than the statements in her [California Civil Rights Department] complaint, which are privileged.”
Baldoni’s legal team has until June 23 to amend their claims for breach of implied covenant (suggesting that terms agreed upon in their legal agreement were violated) and tortious interference with contract (intentionally disrupting the relationship or contractual agreement between parties, potentially leading to significant financial damages and reputational harm).
Despite the recent update, there’s still a long way to go for the bitter feud. The trial date for Lively and Baldoni’s case has been set for March 2026.
Entertainment
Jennifer Lopez busts a move in lace-up jeans from 2001 ‘Ain’t It Funny’ music video

Jennifer Lopez is giving us nostalgia served hot!
The pop star, 56, slipped into the exact same jeans she wore in her 2001 “Ain’t It Funny” music video to re-create an “Off Campus” scene with actress Mika Abdalla.
For the cheeky clip — which Lopez posted on social media — she paired the ultra-low-slung lace-up denim with a white cropped turtleneck that made the most of her impressive abs.
“It’s a new Jeneration of party people…🎶,” she captioned the video, giving a nod to lyrics from her 2011 collaboration with Pitbull, “On the Floor.”
One observant X user commented on the singer’s “INSANE” pants and shared a snippet from the “Ain’t It Funny” video.
Lopez confirmed the fan’s suspicions by replying, “They’re the same ones from that video 😀.”
As for Abdalla, she went with her own throwback-inspired look by pairing a brown backless halter top with baggy jeans and a vintage belt.
The clip began with the 26-year-old standing outside Lopez’s dance studio while mouthing her “Off Campus” co-star Khobe Clarke’s line, “I don’t know her personally, but I’m pretty sure that’s J.Lo.”
Abdalla then made her way inside to find the Grammy nominee rehearsing with her crew.
Lopez turned around and mouthed back, “Oh, my God. Wait. This is me! Now!” which Abdalla’s character, Allie Hayes, squealed in a now-viral scene from Prime Video’s new romantic drama series — while wearing a replica of J.Lo’s iconic 2000 Grammys Versace jungle dress.
“Love this shooooww,” the songstress — who gave the plunging gown a second lap while closing Versace’s spring 2020 runway show in Milan — gushed alongside a clip of the aforementioned scene.
Meanwhile, Abdalla recently described just how much work went into creating the “unreal” garment, telling Betches UK that “five fittings” were involved.
Entertainment
‘Euphoria’ kills off Jacob Elordi’s Nate Jacobs

He’s not feeling euphoric.
Warning: Spoilers ahead! Do not proceed unless you’ve watched “Euphoria’s” seventh episode of Season 3.
“Euphoria” catapulted Jacob Elordi, Sydney Sweeney and Zendaya into their current status as A-listers, and now, one has been axed from the show.
Season 3 killed Elordi’s controversial character, Nate Jacobs.
He was buried alive in a coffin, with a pipe leading to the surface so that he could breathe. A rattlesnake slithered down the pipe and bit him.
He had been placed there by Naz (Jack Topalian), the gangster he owes about a million dollars to.
Naz’s plan was to leave Nate down there (with a pipe to breathe) for 72 hours while his wife, Cassie (Sweeney) could get the money together.
Unfortunately for Nate, before 72 hours was up, a snake got him. Naz also didn’t make it out alive, as he was fatally shot by Season 3’s other gangster, Alamo (Adewale Akinnuoye-Agbaje). Cassie and Maddy (Alexa Demie) scrambled to get the money together as Nate got dug up, but they got a nasty surprise, as they were met with his dead body.
In the “inside the episode” segment at the end, Elordi said in his post-mortem interview, “It was a cool way to go, Nate is somebody who’s made so many mistakes and so many dark choices.”
First premiering in 2019, the Sam Levinson-created drama initially followed its characters in high school. Elordi, Zendaya and Sweeney were lesser known at the time.
“Euphoria changed my life,” Elordi, 28, told Variety in 2023.
“Saltburn” was the Australian star’s big-screen breakout that same year. Per Vogue Australia, his “Wuthering Heights” co-star Margot Robbie (who produced “Saltburn”) suggested him for the role at the time after watching him in “Euphoria.”
The “Frankenstein” star told GQ UK in 2023 that before landing on the HBO show, “I wasn’t booking jobs. I think I had – I don’t know, $400 or $800 left in my bank account – and ‘Euphoria’ was my last audition before I went home for a little while to make some money and recuperate.”
In the first two seasons, Nate was the show’s villain. He was a high school jock with anger issues – he manipulated, threatened and blackmailed everyone around him, choked his then-girlfriend, Maddy (Alexa Demi), and struck up a relationship with her best friend, Cassie (Sweeney).
Nate’s issues stemmed from finding his father Cal’s (Eric Dane) sex tapes at a young age.
In Season 3, which is set five years after high school, Nate had a dramatically different personality.
His rage issues inexplicably seemed vanished, his demeanor was softer and nicer and he appeared to genuinely love Cassie (instead of using her, like he was in Season 2).
Instead of being menacing, he did a goofy dance at his wedding. After he didn’t get his way in front of a board of bureucrats, rather than blackmail or threaten them, he just pathetically cried and begged.
Outraged fans criticized “Euphoria” for Nate’s inexplicable personality change and slammed it for giving the character a “lobotomy.”
Season 3 saw Nate take over his dad’s construction business, but he ran into issues when he had to stop his build because of an endangered flower – the white fritillary.
The show also revealed that he conned people into giving him money for his construction projects, including the gangster Naz.
In the third episode of Season 3, when Nate didn’t pay Naz the half a million dollars he owed him, Naz interrupted Nate and Cassie’s wedding and had him brutally beaten on his wedding night. It all culminated in Naz cutting off Nate’s toe. However, Nate later got it sewn back on.
Topalian exclusively told Page Six that Elordi did most of his own stunts during the scene where Naz’s henchmen threw Nate around.
“That’s [Elordi] really doing the struggling and the fighting and the falling and all of that,” he told us.
He called Elordi “committed,” “giving,” and “prepared,” but “between scenes, he’s back to being Jacob.”
“Obviously, he gets back into character really quickly,” he went on. “But once [the director calls ‘cut’] even though he’s been beaten and abused, he’s still having a lot of fun. He’s still cracking jokes and doing things like that.”
Elordi told Entertainment Weekly in November that his acting process was different in Season 3. He noted that he likes to “obsess over” his work, and take the time to prepare by going through “every element and construct it and put it together.”
The booked and busy actor – who was in “Frankenstein” and “Wuthering Heights” back to back – noted that he had “no time” to prepare for Season 3.
“And I didn’t have scripts in any kind of full sense. I sort of just had creative conversations with Sam, so I had no choice.”
The “Priscilla” actor also noted that he “loves” Nate, even though most fans hate him.
“I act to understand a different experience, to express an experience that’s different to my own,” said Elordi. “Playing him taught me a lot about empathy and patience, which is strange with a character like that.”
Elordi also told the outlet that Nate’s dark deeds didn’t bother him.
“It’s a real treat to be a part of that show, and to play the quote-unquote bad guy,” he said. “It’s always more fun. You don’t wanna play some morally superior, world-saving loser.”
Entertainment
Robert De Niro had no idea ‘Taxi Driver’ would become a classic

You talkin’ to him?
Robert De Niro had no idea his 1976 film “Taxi Driver” would be lauded as a classic.
“You never can think that you’re doing something that’s going to have an impact,” the actor, 82, exclusively explained to Page Six in a recent interview alongside his fellow Tribeca Festival co-founder Jane Rosenthal to promote next month’s event.
The Oscar winner “just never look[s] at it that way,” he adding, noting that success is “out of your control.”
The neo-noir drama, directed by Martin Scorsese, stars De Niro as an unhinged taxi driver named Travis Bickle, whose mental state deteriorates over the course of the movie.
De Niro acted in the iconic role alongside Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle, and Albert Brooks.
The project generated controversy at the time for graphic violence and 12-year-old Foster’s casting as a child sex worker — and, later, for inspiring John Hinckley Jr.’s attempted assassination of President Ronald Reagan.
Nevertheless, it is considered one of the greatest movies ever made and, in 1994, was designated as “culturally, historically or aesthetically” significant by the U.S. Library of Congress when selected for preservation in the National Film Registry.
The movie, which turned 50 this year, is being screened at the June film festival — and De Niro and Scorsese, 83, will reunite for a conversation about the project.
Their sitdown is just one of many special talks and screenings taking place at this year’s 25th Tribeca Festival.
Not only are interviews with Madonna, Sean Penn and Josh Safdie also scheduled, but there will be special anniversary screenings of “Cable Guy” and “Bridget Jones’s Diary.”
“There are so many great things to see,” Rosenthal told us. “There’s so much music, everybody from Earth, Wind and Fire and Madonna to Noga Erez and Sarah Bareilles and Peter Frampton.
“There’s just a lot to see,” the 69-year-old continued, stressing that the festival is “a welcome festival for all New Yorkers [with] tickets available” now.
The annual event, which runs from June 3 through June 14, was established in 2002 to spur the revitalization of Lower Manhattan following the 9/11 attacks on the World Trade Center.
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