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How ‘Star City’ Reimagined the Space Race With Soviets as the Stars
How do you capture the mood of the 1960s space race in a fictional universe where the Soviets beat the Americans to the moon?
The American side of the story was told in “For All Mankind,” an Apple TV series that concluded its fifth season in May. Now a spinoff series called “Star City,” which tells the Soviet side of the story, is set to wrap up its critically acclaimed first season.
Reimagining the Soviet space effort — and the Star City cosmonaut training center that served (and still serves) as its epicenter — was a challenge worthy of the Chief Designer himself. But cinematographer Brendan Uegama and the rest of the production team were up to it.
“We set up a really high bar for our standard of what our world was,” Uegama says in the latest episode of the Fiction Science podcast.
“That was not a perfectly beautiful world of photography like you would typically see or experience in a lot of movies,” he says. “We didn’t go to the beauty just for the sake of making a pretty picture. We stuck with our gut and said, no, it’s better if it’s a little uglier, because it feels a little more truthful to what this would be.”
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The production team had to balance several factors as they created the Star City that’s shown in “Star City.” The visual look and feel had to reflect the closed society of the Soviet Union in the 1960s and ’70s, but it also had to accommodate fictional changes in the timeline — including Soviet moon landings and a mission to Venus.
None of the filming took place in Russia. Instead, most of the scenes were shot in the former Soviet republic of Lithuania, where enough of the era’s brutalist architecture remains to provide the foundation for a suitably gray Cold War tale.
Uegama studied old photos and newsreels to sharpen his sense for Soviet-era settings. His main inspiration came from a set of photos taken in the early 1950s by Martin Manhoff, an American diplomat and suspected spy.
“He took just unbelievably fantastic photos of Moscow and everything around that time, and that informed me a lot personally,” Uegama says. “It inspired me a lot … to at least start to go down the road of what I thought this world could look like.”
Brendan Uegama, the director of photography for “Star City,” reviews a scene on video. (Credit: Apple TV / Lukas Šalna)
The story behind Manhoff’s photos and film footage could merit its own TV drama. Manhoff is best known for capturing footage of Josef Stalin’s funeral from a vantage point in the U.S. Embassy in 1953. He was never able to go to Star City. “That was, of course, completely out of bounds in the 1950s,” historian Douglas Smith says. But Manhoff was able to travel around the Soviet Union, chronicling everyday life in cities as well as the countryside.
When Manhoff and several other military attachés were accused of spying, he returned to the U.S., bringing the slides and reels of film back with him. They eventually ended up in cardboard boxes that were stored in a former auto body shop in the Seattle area, but overlooked until after Manhoff’s death in 2005. Smith played a key role in rediscovering and organizing the visual treasure trove.
The cinematography of “Star City” reflects the grainy look of 1960s-era film footage. “I started to lean into this world that felt imperfect and felt a little more handmade and a little more ‘found,’ in a way,” Uegama explains. “It wasn’t about constructing perfect scenes in the sense of traditional cinema…. We wanted to feel like we just walked into this room, and there were the people, and this is what it looked like, and how it was lit, and we photographed it.”
That doesn’t mean that “Star City” lacks the artist’s touch, or the filmmaker’s craft. In an Instagram post, Uegama says he used nearly 30 lenses made by 11 different manufacturers — tools that were selected to reflect “a deliberately imperfect aesthetic from the lens up.”
Check out an Instagram montage of shots from ‘Star City’
I had the opportunity to visit Star City myself a quarter-century ago, during a reporting trip tied to the final days of Russia’s Mir space station. So, I can vouch for the retro feel and the imperfections that Uegama picked up on for “Star City.” Back then, I noted that all but one of the toilets in the restroom I had access to were out of order, and the tank on the one toilet that worked was half-disassembled.
In the real world, the Soviets suffered a string of failures during the 1960s that ruined their quest to put cosmonauts on the lunar surface. The space program’s secretive chief designer, Sergei Korolev, died during surgery in 1966. And the Soviets’ massive N1 moon rocket failed spectacularly during an uncrewed test launch that took place just two weeks before Apollo 11 lifted off in 1969. The Soviets abandoned their drive to the moon, ceding the Cold War space race to the Americans.
In “Star City,” the unnamed Chief Designer survives his health crisis in 1966, and a fully operational N1 rocket sends a crew to the moon less than a month before Apollo 11. That success energizes the Soviet Union and its space effort — and a follow-up mission known as Luna 16 puts the first woman on the moon. (The real Luna 16, which launched in 1970, was the first robotic probe to bring lunar samples back to Earth.)
Luna 16’s female cosmonaut takes the global spotlight and plays one of the leading roles in the first season of “Star City.” But the series highlights several other characters and plot threads, including a spy-hunting story that’s as gripping as anything in the files of the CIA.
One of the key events in the first season is a crewed mission to Venus, organized in secret by the Chief Designer and designated as Venera 7. The idea of sending a crew to another planet in 1970 is totally made up, but the real Venera 7 mission still made history. It was the first robotic probe to make a soft landing on Venus’ hellish surface and transmit data back to Earth. Years later, a succession of uncrewed spacecraft (Venera 9, 10, 13 and 14) sent back images of Venus.
So, what’s the future of “Star City”? Based on what we know from five seasons of “For All Mankind,” the Soviet space program will continue to move ahead in parallel with the alternate universe’s American space program, deviating from the real-world timeline in interesting ways.
The big question is, will Apple TV renew “Star City” for a second season? Based on the reviews for the first season, which is wrapping up this week, that seems likely. But Uegama is keeping his options open.
“I just like to work on things that inspire me in different ways, so doing the same thing over and over again isn’t as inspiring as finding a new world to dive into and figure out,” he says. “But we’ll see what happens. We’ll see what it is.”
The season finale of “Star City” makes its debut on Apple TV on July 10.
You can take a time machine back to my reports from Russia’s space hotspots thanks to NBC News and the Internet Archive:
This feature was originally published to Cosmic Log. Fiction Science is included in FeedSpot’s 100 Best Sci-Fi Podcasts. Stay tuned for future episodes of the Fiction Science podcast via Apple, Spotify, Player.fm, Pocket Casts and Podchaser. If you like Fiction Science, please rate the podcast and subscribe to get alerts for future episodes.
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L.A. reaches deal on cost recovery for 2028 Olympics, amid warnings

A divided Los Angeles City Council finalized a deal with organizers of the 2028 Summer Olympic Games aimed at controlling the city’s costs during the global event, amid complaints that the protections don’t go far enough.
On a 10-4 vote, the council approved the Enhanced City Resources Master Agreement, which lays out the process for the city to seek reimbursement for the services it provides during the Games.
City Administrative Officer Matt Szabo said the agreement sets up additional financial safeguards, by allowing the city to tap a $270-million contingency fund set up by LA28, the privately run Olympic organizing committee, if outstanding costs remain.
Still, some on the council warned that taxpayers could wind up on the hook for $1 billion in police and other public safety costs if LA28 incurs serious losses.
“This fails to provide any safeguards for Los Angeles taxpayers and most assuredly risks the city’s fiscal stability,” Councilmember Monica Rodriguez said after voting against the agreement. Councilmembers Eunisses Hernandez, Ysabel Jurado and Nithya Raman, who is running against Mayor Karen Bass, also were opposed.
Critics of the Games have long voiced concern about the risks that surround the event.
If LA28 incurs massive financial losses, the city would cover the first $270 million. The state would absorb the next $270 million. After that, the city’s general fund, which pays for basic services, would cover any remaining shortfall.
The city’s negotiating team said L.A.’s political leaders committed the city roughly a decade ago to serve as a financial backstop for the Games, as part of the contract that made L.A. the host city.
“We are providing you today as many protections as we can, given the reality that if it is not financially successful, it does fall onto us,” Szabo said. “So there is nothing we could propose today or tomorrow or next year that would eliminate that risk.”
The council, in a flurry of votes, sidelined proposals from Councilmembers Imelda Padilla, Hernandez and Raman that were billed as a way to reduce the risk facing the city.
LA28 spokesperson Jacie Prieto Lopez, in a statement, said the newly approved agreement delivers on the committee’s commitment to “execute a safe, secure and fiscally responsible Games that benefit Los Angeles for decades to come.”
Under the terms approved by the council, LA28 would pay the city ahead of the Games for services that are ineligible for reimbursement from the federal government, such as street sweeping and deployment of traffic officers.
The terms around police protection are more complicated.
The city would first seek reimbursement from the federal government for law enforcement services, particularly in high-security zones, Szabo said. If the government fails to cover the cost of security in those areas, the city would seek all or a portion of LA28’s contingency funds to make up difference, he said.
Last year, President Trump signed the One Big Beautiful Bill Act, setting aside $1 billion for state and local governments for security, planning and other costs associated with the Games.
Some council members have voiced concerns that the federal government might not follow through on its commitment, or that only a fraction of those funds would make their way to L.A., one of several Southern California communities slated to host Olympic competitions.
In April, Rodriguez sent LA28 a letter warning the city’s public safety costs could easily blow past $1 billion if there is an emergency or major weather event.
City Controller Kenneth Mejia, in an interview, said he intends to use his office to look into LA28’s finances in the run-up to the Games. He also argued that the deal to secure the Olympics was a bad one from the beginning.
“We’re already locked into a huge financial liability. This was one of our big chances to throw in protections for the city and also provide that transparency,” said Mejia, who opposed the agreement.
If LA28 makes money on the Games, the organizing committee would be barred from distributing that surplus to any organization until it has covered its financial obligations to the city, according to the terms approved Wednesday by the council.
Szabo, appearing before the council, acknowledged that the city faces a financial risk. If LA28 does experience a financial loss, it first would tap its own $330-million contingency fund, he said.
After that, LA28 and the city would have access to a second, $270-million contingency fund set up to protect taxpayers, he said.
“Is that a likely scenario? We don’t believe so,” Szabo said. “Their reports thus far have suggested that they are meeting their targets on their sponsorships and on other revenues, and we want them to continue to hit their targets.”
Those arguments haven’t satisfied an array of activists, who urged the council to rewrite the agreement.
“LA28 has no incentive to keep the city from being forced into bankruptcy,” said Chris Tyler, spokesperson for Strategic Actions for a Just Economy, a nonprofit that advocates for low-income communities in L.A.
Under a deal reached in 2021, LA28 must reimburse the city for services that go beyond what would be provided on a normal day in key parts of the city, such as Exposition Park, the Sepulveda Basin and parts of downtown L.A.
The organizing committee is obligated to create a $270-million contingency fund that can be distributed as a surplus if the Games make money or cover any losses in the event of a shortfall.
The proposal approved Wednesday calls for the five-year-old agreement to be amended to ensure that those contingency funds can be used to cover the city’s costs in the event that other funds aren’t available.
The city and LA28 were supposed to have a draft agreement on the cost recovery process completed by October. A draft document did not surface until June.
City negotiators now head into another round of talks with LA28 on the precise level of services needed at the Convention Center, Venice Beach, Dodger Stadium and other locations. Those venue agreements must be completed in July 2027.
Under the terms approved Wednesday, the two sides must reach an accord on the cost of those additional services by October 2027.
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Trump Wants the M.M.R. Vaccine Split Into Three Separate Shots. Doctors Say It’s a Bad Idea.
President Trump is calling for immunizations for measles, mumps and rubella to be given in individual jabs in three different appointments instead of the standard combination shot.
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How to Find Lunar Ice? Moonquakes to the Rescue!
The surface of the Moon is a bleak and forbidding place that could be hiding a lot of water ice within the dusty landscape. However, most possible ice deposits don’t just stand out in an image. You need specialized mapping to find those deposits. So, scientists have devised another way to find the Moon’s frosty hidden reserves. They use seismic waves from moonquakes as locator beacons.
Geologists at the University of Maryland, Lawrence Berkeley National Laboratory, and the University of Hawai’i recently published a paper (cited below) that examines the role that seismic waves play in locating ice deposits on and in the Moon. Finding water ice is important because the users of future lunar laboratories and habitats will need a steady supply of water. In addition, ice can be used to create oxygen supplies and rocket fuels for getting around the Moon. It’s a far cheaper and more efficient source of water than bringing water and other supplies up from Earth.

A map of possible lunar water deposits around the south pole region of the Moon. Courtesy: Chandrayaan mission. Credit: ISRO.
How Did the Moon Get Water?
The origins of the lunar water caches remain something of a mystery, although the evidence points in a few directions. The most likely locations for substantial amounts of water are at the poles and other regions where some of the ice could have been delivered by comets or asteroids. There could be deposits in regions where volcanism transported water from inside the Moon to the surface, or via the solar wind or meteor showers. These bombard surface rocks, triggering chemical reactions that could release water molecules. The evidence for water is pretty substantial, based on studies of rocks brought back during the Apollo era, as well as studies made by such missions as the Chinese Chang’e 5 probe, the SOFIA project, and highly detailed images and impact modeling done by Chandrayaan scientists. It’s more likely that much of the proposed lunar water accumulated over millions or billions of years, rather than just one major delivery by a comet or asteroid impact.
Lunar water is likely some kind of briny mixture of materials from the Moon mixed with materials delivered by delivery of chondritic materials via impacts. It’s still possible that regions in the lunar interior could be warm enough to contain liquid water, although scientists need more data about the Moon’s core to prove that. Some analyses also suggest that some lunar water could date back to the time of the Moon’s formation during the impact between early Earth and a Mars-sized object. So, it’s clear that a better understanding of the nature of lunar water (as well as its locations) is in order.
These images show a very young lunar crater on the side of the moon that faces away from Earth, as viewed by NASA’s Moon Mineralogy Mapper on the Indian Space Research Organization’s Chandrayaan-1 spacecraft. On the left is an image showing brightness at shorter infrared wavelengths. On the right, the distribution of water-rich minerals (light blue) is shown around a small crater. Both water- and hydroxyl-rich materials were found to be associated with material ejected from the crater. Credits ISRO/NASA/JPL-Caltech/USGS/Brown Univ.
Future Uses of Lunar Ice
According to Nicholas Schmerr of the University of Maryland, the Artemis missions and others will rely on lunar ice deposits, no matter where they come from. “It’s crucial to identify any materials on the moon that an astronaut can make use of while they’re up there,” said Schmerr, who co-authored the team’s study. “Since they will be limited by the few resources they brought from Earth, anything they find on the moon will help them basically live off the land, especially for longer-term missions or outposts.”
Lunar ice also provides another avenue of planetary science research. Ice in the shadowed craters may well contain undisturbed deposits of ice from comets and other events from early solar system history. “The moon witnessed some of the most critical parts of the early solar system, including how water was delivered,” Schmerr said. “Studying the ice deposited there could reveal how water spread and ultimately how Earth’s oceans formed.”
Seismic Waves and Ice
Finding ice under the surface requires new thinking about how it can be located. The lunar surface is cold and dry. From studies here on Earth, scientists know that seismic waves behave differently depending on the types of material they pass through. When a quake occurs, it sends out these mechanical waves. They travel through all the materials beneath the surface, and their velocity changes depending on what they travel through at the time. The density and elasticity of materials are important factors. The velocity of a wave will tell us how deep the quake was, essentially where it occurred.
As an example, if a wave passes through an area that has a lot of ice, the waves travel two to three times faster than they would through dirt or sand. Areas with a lot of ice mixed in also see bounce back in the waves as they interact with the stiff, dense materials. If an area on the Moon has a lot of ice underground, scientists would expect to see changes in velocity of the earthquake waves as well as any possible bounce back. According to Schmerr, bounceback would also reveal other characteristics of the hidden ice. “We can use seismic waves to not just see whether ice is present but also roughly how much of it there is,” he explained.
How to Test for Lunar Ice
It’s one thing to study earthquake waves here on the home planet, but quite another to do it on the Moon. To figure out the best way to determine lunar ice deposits, the team, led by Harrison Lisabeth of Lawrence Berkeley National Laboratory, tried three approaches for detection. First, they took a volcanic rock from Arizona that is a close mimic of lunar rocks. If you crush that type of rock, it turns into an almost exact analog for lunar dust. They froze it and then X-rayed it to see how ice settled between dust grains. The second approach involved temperature models for the polar regions, where ancient ice deposits seem to exist undisturbed by sunlight. Finally, Schmerr ran computer simulations of minor moonquakes to see how they would interact with underground lunar ice. All three methods left very obvious signs of ice in the data.
Data from X-ray tomography of simulated lunar regolith showing a) the dry sample, b) a rendering of icy microstructures prepared with small amounts of water, c) grains with the ice removed, and d) ice with the grains removed. The ice acts like a cement in the pore spaces between the grains of dust. This test result showed how the ice could exist in the regolith of the Moon. Credit: Lisabeth, Schmerr, et al.
The results look very promising, and the research team was able to come up with some suggestions for further examinations of methods to find ice on the Moon. One approach is to study the microstructures of a wider array of lunar regolith analogs here on Earth. In addition, future computer models should take into account more accurate measurements of lunar topography. Finally, the team suggests that further seismic models and tests be made to determine more accurate locations and depths of ice.
?
The hunt for lunar ice is a very real one and future explorers will need that resource. The team points out that recent spectroscopic data suggests that there is between 100 and 400 mg/g of water in the lunar soil. The job now is to identify deposits that are reasonably minable for industrial use by Artemis and other missions. Planned robotic and crewed missions to the moon in the next decade will provide opportunities to apply the tools of terrestrial near-surface geophysics to locating crucial lunar resources. The next viable mission is the Chinese Chang’e-7 is set to go to the Moon in …. and will carry a seismometer capable of looking for ice deposits in its landing site near Shackleton Crater. The 2028 Artemis mission should also be able to set a Lunar Environmental Monitoring Station that can also perform seismic studies.
For More Information
Scientists Use Moonquakes to Locate Lunar Ice
The Seismic Signature of Lunar Ice
Water on the Moon? New Study Narrows Down the Most Likely Suspects
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