
Denise Richards and Avan Jogia in ‘Twisted’ season one.
Everett Collection
Key events
Australia win by 185 runs
WICKET! Charani b Wareham 11, India 224 all out
WICKET! Rana b Wareham 44, India 217-9
WICKET! Deepti Sharma lbw King 29, India 198-8
Alyssa Healy is having a bowl
WICKET! Gautam lbw King 0, India 135-7
WICKET! Ghosh b King 18, India 135-6
WICKET! Harmanpreet lbw King 25, India 115-5
WICKET! Deol run out (Gardner / McGrath) 14, India 110-4
WICKET! Rodrigues c Hamilton b Gardner 42, India 76-3
WICKET! Rawal lbw Sutherland 27, India 62-2
WICKET! Mandhana c Gardner b Carey 0, India 8-1
Australia set India 410 for victory
WICKET! Wareham c Smriti b Charani 1 (Australia 355-7)
WICKET! McGrath c Kashvee b Charani 2 (Australia 353-6)
WICKET! Gardner b Renuka 4 (Australia 345-5)
WICKET! Sutherland c Rana b Deepti 23 (Australia 328-4)
WICKET! Healy b Rana 158 (Australia 281-3)
WICKET! Voll c Deol b Rana 62 (Australia 136-2)
WICKET! Litchfield c Charani b Kashvee 14 (Australia 32-1)
India XI
Australia XI
India won the toss and elected to bowl
Preamble

Geoff Lemon
That’s it from us. We’ll have over-by-over coverage of the full women’s Test between Australia and India from the Western Australian Cricket Association ground for four days from March 6. Later, potaters.
It was a day almost all about Alyssa Healy. Yes, she will play in and captain in a Test match to end this series, but the bulk of her career, as it is for women’s international cricket, has been about the shorter formats. So her leaving the one-day arena feels, in a way, more important, like it’s the most central part.
Healy went out today with the kind of exit that will long be remembered. A big-game player in World Cup finals, yes, but to show up on your farewell day and perform, then go large, that’s something special. So often when she’s made hundreds, she has made them into huge hundreds. And so today, walking out through an Indian guard of honour to ransack 158 from 98 balls, batting until the 37th over while hitting 27 fours and two sixes, a classic Healy medley of those clean-out smites over the leg side, the flashes and back-away carves, the swivels, but really when she got off the mark with a crisp cut shot for four it suggested that this might be another of her days.
Most of her runs were made alongside Beth Mooney, who will at long last succeed Healy as keeper after a decade of waiting, and who made a century of her own today. Georgia Voll made another 50 as a member of the coming generation, and despite a late clatter of wickets in the death overs, Nicola Carey held it together to take 22 runs from the penultimate over and take Australia past 400.
India were never winning it from there, and were winning it even less when Mandhana fell early, Rawal and Rodrigues couldn’t turn a good start into something more, and then Harmanpreet and Deol sucked the air out of the innings. From that point India all but gave up, and what the purpose was of batting out so many overs with little interest in scoring, we may never know. Rana’s 44 from 74 balls and Deepti’s 29 from 47 were the epitome of futility.
Alana King bowled an excellent spell even before she had a bag of wickets, and 4 for 33 from 10 overs was fitting eventual reward. Wareham took 2 for 3. Perhaps Australia’s selectors should stop leaving out one or other of their leg-spinners.
That’s the game wrapped up, and the one-day series swept 3-0. India won the T20 series 2-1. So that means the visitors can only tie the multiformat series on points, and Australia hold the trophy already so they can’t lose it.
Two for Wareham, with a wrong-un to the left-hander that spins past the bat and hits off stump. Simple! Perhaps should have bowled earlier…
45th over: India 224-9 (Charani 11, Renuka 0) A couple of big wind-ups from Charani now that she has no senior player to support. One of those sends Gardner for six over wide long on, the other is stopped on the bounce by Litchfield.
44th over: India 217-9 (Charani 4)
Finally, Georgia Wareham gets her moment. The third ball of the over is clubbed by Charani to deep midwicket where Alana King spills the catch, very rude to do from your fellow leg-spinner. The fifth one goes right throw Rana yet somehow evades the stumps, the keeper, and goes for four byes. And the sixth has Rana step outside off stump, miss the straight skidding ball, and turn back to see it ricochet from her pad back onto the stumps.
43rd over: India 210-8 (Rana 43, Charani 2) A couple of runs from the McGrath over, as the spiral towards oblivion continues.
42nd over: India 208-8 (Rana 41, Charani 2) It might be getting damp out there in Hobart at night time, King has another ball slip from her hand and arc down as a high full toss, but terrific work from Gardner at deep midwicket stops the boundary and saves two. She comes hurtling across and gets one hand to it as she flicks it behind her body nad keeps it in, then loses the ball for a minute but tracks it down before it can roll towards the rope in a different direction.
Then a near run out, Wareham swooping at point and a direct hit on one stump, but Mooney has broken the other bail before the ball arrived! What is going on with the keeper tonight? Charani is home anyway.
41st over: India 205-8 (Rana 38, Charani 2) Another medical delay: Wareham in the deep sends a long throw back towards Tahlia McGrath, the bowler, who lets the throw go. That’s unfortunate for Rana, who has just strolled a single and has her back to the ball. It hits her right on the point of the elbow, and magic spray is required. Wareham is not impressed, and why would she be, after making no runs and not getting a bowl. “Come off it,” seems to be indicated by her facial expression.
40th over: India 200-8 (Rana 33, Charani 2) Shree Charani, the lanky curly-headed spinner, is next in the middle, away with two runs to point.
A yuck end to a yuck innings. King has bowled nicely, but gets a wicket with a slice of luck. A big looping full toss, dipping on Deepti, who tries to sweep it and misses. King can at least say that she was on line. It hits the batters pads on the way down, not quite as bad as Chris Rogers at Lord’s but of that parish, and it would have gone on to hit the stumps. Deepti Sharma has made 29 from 47 balls in a chase of 410, and the practical application of that innings and that approach is anyone’s guess.
39th over: India 198-7 (Deepti 29, Rana 33) May we pose a question to the Indian team? To the effect of, what, exactly, is the point of this exercise? Deepti Sharma is a player who once rather famously made 181 in this format, but tonight she has not played a single shot in anger. Sneh Rana is defending balls on off stump. What is the point? There’s no draw available. No bonus points to save or avoid conceding. No net run rate calculation. You’re still 212 runs from victory. You’re not going to win it, but the aim of the game is to score. Why not try? “Playing for pride” isn’t going to mean much if you lose by 180 after batting 50 overs or lose by 180 after batting 40 overs.
38th over: India 195-7 (Deepti 27, Rana 32) Alana King is back, with three overs remaining. She was taken off earlier with figures of 3 for 22 and then we had a Hamilton net session and faffed about with the Healy situation. Would King have wanted a break, or preferred to Adam Dale it and bowl all 10 on the trot? She’s not purring after the break, slipping one delivery outside leg stump in such a way that Rana can sweep it from a standing position for four through fine leg.
37th over: India 182-7 (Deepti 26, Rana 24) A little shovel-pull from Rana adds four from Tahlia McGrath. The bowler tries a bouncer, too high, and Mooney misses it, giving up three wides. It’s been a very untidy night for Mooney.
36th over: India 182-7 (Deepti 26, Rana 24) Deepti Sharma’s slow night adds a second boundary, this time through fine leg from Hamilton.
35th over: India 177-7 (Deepti 22, Rana 23) Maybe Healy should have left the bowling at one over. She’s carrying on for a second. It’s not great stuff. Drag down, slammed through cover by Deepti for four. Huge full toss, then another. Still finds a few dot balls to close the over, not ones that are bowled very well, but a bit short and not bouncing much and limping through. I suspect that Deepti just doesn’t want to be the answer to a trivia question about Healy’s one wicket.
34th over: India 171-7 (Deepti 17, Rana 22) Hamilton with her short ball and she badges Deepti Sharma. Attempted hook, maybe a nick on it, helmet. After a long concussion check we continue, and Hamilton bounces Rana first ball back. All in tangles trying to dodge that. This is interesting ahead of the Test match, given Hamilton is in the frame to play. Only the leg bye from the over, via the helmet deflection, so technically that’s a maiden.
33rd over: India 170-7 (Deepti 17, Rana 22) She’s the captain, it’s her last one-day game, and India need 246 from 18 overs. So why not! Healy brings herself on. She’ll be bowling some off-breaks, by the looks. Bad stuff first ball, dragged down and leg side, and Sneh Rana flips it fine for four.
Much better second ball, some decent shape and it pitches outside the off stump, dot to point, dot to cover. A couple of singles, a ball that stays low, and the over goes for six – so that’s a win for the bowling side. Beyond her action through the crease, the real standout is when a throw comes in at the non-striker’s end and Healy casually receives the ball in one hand and with one smooth backhand motion knocks the bails off. That’s craft.
32nd over: India 164-7 (Deepti 16, Rana 17) Another decent over for Hamilton, going up for an lbw shout but it was nicked.
31st over: India 162-7 (Deepti 15, Rana 16) At last, some movement. Sneh Rana cracks a drive shot from Gardner, running and hitting through long-off for four. Another boundary a few balls later, Gardner trying the old Shane Warne variation, the spinner bowling a bouncer. Flicks the grip to seam-up it looks like and bangs it halfway down. But Rana nails her cut shot. So, 10 from the over, which is great when you don’t need 13 an over.
30th over: India 152-7 (Deepti 14, Rana 7) Lucy Hamilton is back. Maybe call her Lucky Hamilton, walking out on debut with 400 to defend. Easing into top level cricket. She’s testing out the middle portion of the pitch, trying her shorter ball, then what looks like a slower ball variation, running through her repertoire.
29th over: India 148-7 (Deepti 12, Rana 5) Rather going through the motions here, as the batters collect four singles from Gardner. No Georgia Wareham tonight among the six bowlers used by Australia.
28th over: India 144-7 (Deepti 10, Rana 3) Deepti Sharma sweeping King, getting a run. A rare bad ball from King follows, full toss that Rana crunches but straight to the deep cover sweeper for one. Deepti gets onto her next sweep more effectively, looks to have found the rope but McGrath dives in on her stomach, gets hands to the ball, and knocks it up into her own face and away to Hamilton on the ricochet. Saves two.
27th over: India 140-7 (Deepti 7, Rana 2) Three runs from Gardner’s over, as spin continues.
26th over: India 137-7 (Deepti 5, Rana 1) King bowls a maiden! Sneh Rana deadbats the lot. I’m not sure what the point of that is, in a format based on scoring.
25th over: India 137-7 (Deepti 5, Rana 1) Sneh Rana in next, who’s a great fighter and a very good bat, but not one with the attacking gear to tackle 11 an over for half an ODI innings. Two runs from the over. Deepti has been out there for an age and barely made a run.
24th over: India 135-7 (Deepti 4) Suddenly King has 3 for 18 from five overs.
Two in three balls, King looping one up as Kashvee Gautam tries to sweep and misses. Any time you do that you’re in peril with umpires, the ball going on to hit her front pad rather than back leg, which means it was towards the line of leg stump, but the ball-tracking again says umpire’s call for hitting leg.
Now that is game over. Ghosh does get hold of King in the over, clearing her front leg to dig out a full ball over the long-on fielder for six, but two balls later King skids another ball through at off stump, much like the one that got Harmanpreet. Ghosh is not trying to block it, she’s trying to back away and cut it, forced by the required run rate to manufacture scoring chances. No dice, no contact, bowled top of off.
23rd over: India 129-5 (Deepti 4, Ghosh 12) Just not working for India. This must be one of the slower pairs between the wickets, and they have a couple of near run-outs. The runs don’t come. Three singles. They need ten and a half.
22nd over: India 126-5 (Deepti 3, Ghosh 10) Another over giving away nothing by King, who so far has conceded 12 from her four overs while India needed about 40 from them. There’s also a dropped catch, a feather from Deepti’s edge that the keeper misses standing up. Mooney has had quite a few errors behind the stumps, as she prepares for life after Healy.
21st over: India 124-5 (Deepti 2, Ghosh 9) After a few sighters, Ghosh does get going. Consecutive boundaries from Tahlia McGrath to close an over, driven through the off side. They need 286 from 29 overs, so about 10 an over.
20th over: India 116-5 (Deepti 2, Ghosh 1) There’s only one possible route to Indian victory now which is that Richa Ghosh smacks about 180.
Lovely line, suffocatingly close to the off stump. Was that a top-spinner or did it just skid? It carries on towards the stumps, beats the forward press of Harmanpreet Kaur and pins her on the front pad just in line with off stump. The umpire gives it immediately, and a DRS review doesn’t change that. The Indian captain’s 25 off 33 hasn’t helped the cause that much.
19th over: India 112-4 (Harmanpreet 23, Deepti 1) Three runs and the run out in that over, and India’s chase looks pretty well done.
NEW YORK — The Miami Marlins (26-31) arrive at Citi Field on Friday for three games against the New York Mets (23-33) on the kind of weekend that gives a Mets fan in May reasons to look up. The franchise is inducting Lee Mazzilli and Bobby Valentine into its Hall of Fame on Saturday afternoon. Carlos Beltrán, the third member of this year’s class, will have his number 15 retired and his induction ceremony in September. The first 15,000 fans through the gates Friday get a Bobby Valentine Disguise giveaway — fake mustache, glasses, the entire 1999-era bit. Fireworks Night follows Friday’s game.
Both clubs walk into Citi Field still in the conversation. The Mets are 4.5 games out of the third National League Wild Card. The Marlins are five out. The dog days of summer have not arrived. There is a full month of June ahead, then the trade deadline, then everything that comes with it. For two teams that started slow in a division that has not yet produced a runaway leader, this weekend is the kind of stretch you bank wins from while the standings are still soft.
New York Mets’ Juan Soto flips his bat after hittin a two-run home run during the sixth inning of a baseball game against the Cincinnati Reds Tuesday, May 26, 2026, in New York. (AP Photo/Frank Franklin II)
Max Meyer (5-0, 2.52 ERA) takes the ball Friday night at 7:10 p.m. ET for the Marlins. Meyer is the only undefeated starter in baseball with at least eight starts. He has 68 strikeouts in 60-plus innings and a sub-2.55 ERA. Meyer threw six sharp innings in Miami’s 12-0 win over the Atlanta Braves on May 18 and has not lost a decision in 2026. He is the kind of arm a club builds around.
Freddy Peralta (3-4, 3.52 ERA) takes the ball for the Mets. The 30-year-old Dominican right-hander pitched for the Dominican Republic at the 2026 World Baseball Classic and has 63 strikeouts across his 11 starts. He last faced these Marlins in Miami on Saturday and lost a 1-0 pitchers’ duel that could just as easily have gone the other way. He is one of the few healthy rotation pieces the Mets have and he has been pitching like it.
Tyler Phillips (0-0, 1.07 ERA) starts for the Marlins on Saturday at 4:10 p.m. ET, his second career start after being stretched out from the bullpen. Phillips threw five innings last Sunday at home, allowed one earned run, and helped complete a sweep of these same Mets. The story of Phillips this month is the story of a long-relief guy quietly playing his way into a rotation spot. Christian Scott (0-0, 3.20 ERA) starts for the Mets in what is essentially his sixth professional outing — a young right-hander with real stuff and the chance to introduce himself to a national broadcast slot.
Before the first pitch, on the field, the Mets will induct Mazzilli and Valentine into the team Hall of Fame. The first 15,000 fans through the gates receive a Mazzilli/Valentine players pin. Mazzilli is going to walk out to his old position with the entire Brooklyn-Italian section of the borough cheering. Valentine is going to walk out for the first time as a Mets Hall of Famer with the franchise’s modern playoff era — the one between Davey Johnson and Terry Collins — formally recognized at last.
Janson Junk (3-5, 4.80 ERA) gets the ball for Miami on Sunday at 1:40 p.m. ET in the series finale. Junk last pitched Wednesday in Toronto in relief and is on three days of rest in a swing-starter role. Jonah McLean (2-4, 4.40 ERA), a 26-year-old Mets right-hander with 75 strikeouts on the season, gets the start opposite him. McLean has the highest strikeout-per-nine on the Mets’ active starting staff. Junk needs the kind of grind-it-out start that Marlins fans have seen him give before. The kind that puts a weekend in motion.
FILE – Former New York Mets’ Bobby Valentine, wearing a fake moustache, reacts as he is introduced during an Old-Timers’ Day ceremony before a baseball game between the Colorado Rockies and the Mets on Aug. 27, 2022, in New York. (AP Photo/Adam Hunger, File)
Bobby Valentine spent seven years managing the Mets from 1996 to 2002. He took the team to consecutive postseasons for the first time in franchise history. He took them to the 2000 World Series, the only Mets manager to do so between 1986 and 2015. He left with the second-most wins of any manager in team history. But the reason this Hall of Fame induction is happening this weekend, on a Marlins-Mets weekend, is what Valentine did in the ten days between September 11, 2001 and the resumption of baseball in New York City on September 21.
Shea Stadium became a staging ground for first responders headed to Ground Zero. Valentine personally fed workers at his nearby restaurant. He organized players and staffers for relief efforts. He visited Ground Zero on multiple occasions. He helped establish Tuesday’s Children, a nonprofit created to support the more than 3,000 children who lost a parent in the attacks. That organization still operates today and continues to support families almost twenty-five years later. That is the work being honored on Saturday afternoon. The 536 wins are the resume. The decade of post-9/11 community work is the reason the room will be on its feet.

New York Yankees first base coach Lee Mazzilli, left, and New York Mets manager Bobby Valentine share a laugh before Game 1 of the World Series Saturday, Oct. 21, 2000, at New York’s Yankee Stadium. (AP Photo/Amy Sancetta)
Valentine has also been a quiet ambassador for international baseball. He managed in Japan for the Chiba Lotte Marines, winning a Japan Series in 2005 and developing a generation of Japanese players who later came to MLB. He threw out a ceremonial first pitch at a 2013 World Baseball Classic game in Fukuoka. The Mets going into the World Baseball Classic era with an open-door philosophy — Steve Cohen has consistently encouraged Mets players to represent their countries when invited, from Soto and Peralta to Brazobán and Vientos — is a continuation of a posture Valentine helped author in the franchise twenty years before the WBC even existed.
Bobby Valentine, a former manager of Boston Red Sox, throws a ceremonial first pitch at the World Baseball Classic first round game between Japan and China in Fukuoka, Japan, Sunday, March 3, 2013. (AP Photo/Koji Sasahara)
Former New York Mets’ manager Bobby Valentine, left, talks with Italy’s head coach Mike Piazza, right, prior to the quarterfinal game between Italy and Japan at the World Baseball Classic (WBC) at Tokyo Dome in Tokyo, Japan, Thursday, March 16, 2023. (AP Photo/Eugene Hoshiko)
Lee Mazzilli was drafted by the Mets in 1973 out of Abraham Lincoln High School in Brooklyn. He played ten years in Queens across two stints, was a 1979 All-Star, and hit the first home run by a Met in an All-Star Game that summer in Seattle. He is the kind of player every Brooklyn family of a certain generation tells stories about. He is also, importantly for World Baseball Network’s readership, the most prominent Italian-American figure in the modern Mets canon — a Brooklyn kid, an Italian last name on the back of a Mets jersey, drafted out of a New York City public high school. The bridge between borough and franchise that the team has tried to recreate in every generation since.
New York Mets outfielder Lee Mazzilli, manager Joe Torre Listen to coach Willie Mays talk outfield. Mays and Mazzilli are arrivals at camp to work on Mazzilli’s outfield problems on Feb. 21, 1978 in St. Petersburg, Florida. (AP Photo)
Mazzilli came back for the 1986 World Series team. In Game 6 against the Boston Red Sox, with the Mets one strike from elimination, Mazzilli came off the bench in the eighth inning, walked, and scored the tying run on a sacrifice fly by Gary Carter. He went 2-for-3 with two runs scored across Games 6 and 7. The man on third base when Bill Buckner’s error happened was a different teammate, but the one who scored the run that *brought the Mets within one* in that inning was Lee Mazzilli of Brooklyn.
New York Mets Lee Mazzilli reacts as he crosses home plate to score the Mets’ third run of the game on a sacrifice fly by Gary Carter against the Boston Red Sox in New York, Oct. 26, 1986. The Mets went on to win the sixth game of the World Series 6-5 in 10 innings. (AP Photo/Susan Ragan)
Carlos Beltrán is the third inductee and the one whose Cooperstown timeline is most pressing. Beltrán was 70.3 percent on the BBWAA ballot in January — short of the 75 percent needed but tracking toward induction in 2027. He is currently a Special Assistant to Mets President of Baseball Operations David Stearns. The Manati, Puerto Rico native ranks in the Mets’ top ten in home runs, RBI, runs scored, on-base percentage, slugging percentage, and OPS. In 2006, he finished second in the National League in bWAR with 8.2 as the Mets advanced to the NLCS.
New York Mets’ Juan Soto flips his bat after hittin a two-run home run during the sixth inning of a baseball game against the Cincinnati Reds Tuesday, May 26, 2026, in New York. (AP Photo/Frank Franklin II)
Beltrán represented Puerto Rico at multiple World Baseball Classics. He was a leader on the 2013 Team Puerto Rico that nearly won the tournament, the squad that established Puerto Rico as one of the WBC’s most dangerous countries for the rest of the decade. He is the most decorated international player to wear a Mets uniform in the franchise’s six decades.
Puerto Rico’s Carlos Beltran, right, highs five with teammates before the start of the World Baseball Classic first round game against Spain in San Juan, Puerto Rico, Friday, March 8, 2013. (AP Photo/Andres Leighton)
Beltrán has remained close to the borough his whole career. In 2009, during a rehab assignment, he played a game with the Brooklyn Cyclones in front of fans who treated it like a major-league appearance.
New York Mets’ Carlos Beltran signs autographs while on a rehab assignment with the Class A Brooklyn Cyclones in a baseball game against the Hudson Valley Renegades at KeySpan Park in the Brooklyn borough of New York, Wednesday, Sept. 2, 2009. (AP Photo/Henny Ray Abrams)
In November 2019, he was introduced as the Mets’ manager — a job he never got to start, but a moment that signaled where the franchise was placing him in its long-term plans. He has been an organizational fixture in some form ever since. His number 15 will be retired in a September ceremony at Citi Field that will also serve as his formal Mets Hall of Fame induction.
FILE – New York Mets’ Carlos Beltran smiles during an introductory baseball news conference in New York, Nov. 4, 2019. (AP Photo/Seth Wenig, File)
Three players. Three different threads. One weekend that the franchise, and its fans, get to celebrate together.
Juan Soto is on a heater. He hit his 12th home run of the season on Wednesday off Cincinnati’s Andrew Abbott. Six of his last eight hits have been home runs. He has eight home runs in his last 12 games. Only eight National League hitters have more home runs than Soto on the season, and all of them have played in at least nine more games than he has — he missed two and a half weeks in April with a right calf injury. He is hitting .301 / .392 / .594 with a .986 OPS that would lead the National League if he had enough at-bats to qualify.
In his words, he is “trying to do damage.” That has been the Mets offense for the last three weeks. Soto has accounted for nearly half of New York’s RBIs over their last eight games. The reinforcements are coming. Jared Young (Canada) was just activated off the 10-day IL. A.J. Minter is back from the 60-day. Jorge Polanco (Dominican Republic) is on a rehab assignment at Binghamton and could be back next week. Eric Wagaman homered Wednesday after being selected from Syracuse. The shape of the lineup the Marlins are facing this weekend is different from the one they swept eight days ago.
The Marlins enter Friday with several stories worth following. Otto Lopez (Panama, plays for Team Canada at the WBC) leads the team at .330 — a serviceable shortstop having his best month as a Major Leaguer. Xavier Edwards is hitting .306 with a .386 on-base percentage and the lowest strikeout rate of any starting infielder in the National League. Liam Hicks (Canada) has 11 home runs and 44 RBIs, still third in the National League. Owen Caissie (Canada) drove in both runs in Miami’s 2-1 win over this same Mets team last Friday. Esteury Ruiz (Dominican Republic) tripled in that one. Jakob Marsee (American-born, plays for Team Italy at the WBC) stole his 14th base of the season Tuesday in Toronto. Javier Sanoja (Venezuela) hit his first career grand slam against the Atlanta Braves on May 18. Joe Mack, the 23-year-old No. 4 organizational prospect, is in his rookie season behind the plate and has a pop time good enough that opposing dugouts have noticed.
Eleven Marlins were on 2026 World Baseball Classic rosters. Eury Pérez (Dominican Republic), Sandy Alcántara (Dominican Republic), Heriberto Hernández (Dominican Republic), Lopez, Hicks, Caissie, Ruiz, Marsee, Sanoja, plus two other names on the active roster represent six different countries.
The Mets carry their own international footprint. Soto (Dominican Republic). Luis Torrens (Venezuela) — likely catching multiple games this weekend. Huascar Brazobán (Dominican Republic) — Team DR alongside Peralta at the WBC. Vidal Bruján (Dominican Republic). Jonah Tong (Canada) — the 23-year-old rookie who threw three scoreless in Miami last Friday. Jonah McLean (Sunday’s starter) carries his own WBC reps. Mark Vientos (Miami-born, plays for Team Nicaragua at the WBC under Dusty Baker). Bo Bichette (West Palm Beach-born, announced he would play for Team Brazil at the WBC but withdrew before the tournament; his brother Dante Jr. played for Brazil in his place). Marcus Semien (Team USA WBC).
Steve Cohen’s posture on this has been clear from day one of his ownership: Mets players are allowed and encouraged to represent their countries at the WBC. That is how a franchise builds international depth in a sport where the talent pipeline has shifted decisively outside the United States over the last twenty years. The 2026 Mets roster has eight current contributors who wore a country’s colors at the tournament in March. That is the legacy Valentine helped author and Beltrán helped represent. World Baseball Network exists to track this.
The Italian thread runs through the building this weekend. Mazzilli is going into the Hall. Brett Baty is a Mets infielder with Italian heritage. Mark Vientos has roots in the same Italian-American baseball tradition that produced Mazzilli a generation ago. And across the diamond, Jakob Marsee (Team Italy at the 2026 WBC) is in center field for Miami. One Mets HOF inductee, one Mets infielder, one current Met from the same heritage line, and one Marlins outfielder repping Italy at the WBC — all in one ballpark on Saturday afternoon.
The Marlins enter Friday three games ahead of the Mets in the NL East and five games out of the third National League Wild Card. Both clubs are still in the chase. The Mets need to take at least two of three to bank a series win going into June and a road trip through Colorado and Los Angeles. The Marlins, riding a stretch of solid baseball with Meyer pitching the way he is, want to keep stacking wins because every weekend they take from a rival is a weekend that strengthens the front office’s hand at the deadline.
Bobby V is back at Citi Field on Saturday. Beltrán is on the Cooperstown clock. Mazzilli is finally getting his moment. Soto is on a heater. Meyer is undefeated. Two teams still in the conversation in late May, playing three games in front of a fan base getting to celebrate its own history. That is what May 29-31 looks like in Queens.
First pitch Friday is 7:10. See you at the ballpark.
— MT
Ric Flair alleges trademark infringement.
On social media, Ric Flair said that someone is using his “Flair” trademark. He warned the individual to clear this up by Monday, or else they’ll have to deal with his attorneys.
“Unfortunately, There Is Someone That I’m Very Familiar With Using My Own Trademark FLAIR. I Would Like Anyone Who Is Using My Trademarks- Which Are Impossible To Own And I Own Mine, To Know That I’m Well Represented By A Reputable $1000 Per Hour Attorney That Makes A Living Suing People That Abuse My Trademark. You Know Who I’m Talking About. I Hope You Can Clear This Up By Monday, And If We Can’t Resolve This Issue, Read The Penalties.”
Unfortunately, There Is Someone That I’m Very Familiar With Using My Own Trademark FLAIR. I Would Like Anyone Who Is Using My Trademarks- Which Are Impossible To Own And I Own Mine, To Know That I’m Well Represented By A Reputable $1000 Per Hour Attorney That Makes A Living Suing… pic.twitter.com/yVZJlCbYoY
— Ric Flair® (@RicFlairNatrBoy) May 29, 2026
In a follow-up to his previous post, Flair posted this:
“The Relationship Was Gone 9 Years Ago… I’m Sorry & Sad That It Has Come To This. I’ve Tried My Best To Fix Things Over The Years Only To Be Rejected Because Your Wife Runs Your Life.”
The Relationship Was Gone 9 Years Ago… I’m Sorry & Sad That It Has Come To This. I’ve Tried My Best To Fix Things Over The Years Only To Be Rejected Because Your Wife Runs Your Life. pic.twitter.com/xguEDt2R3L
— Ric Flair® (@RicFlairNatrBoy) May 29, 2026
David Fleir, Ric Flair’s son, appears to be a part of Green Flair Recycling according to his LinkedIn profile.
During a recent interview, Flair commented on the Los Angeles Lakers’ Luka Doncic missing the second round of the NBA playoffs. Fans can read his comments here.
After two decades in the entertainment industry, Avan Jogia has definitely learned a thing or two.
Getting his start in Hollywood early on Nickelodeon’s Victorious and later the teen drama Twisted, it was a bit of a whirlwind getting spit out of the “kids’ television program machine,” as the 34-year-old actor describes it. Though it took some time, Jogia eventually realized he has full control “to navigate where I want this ship to go,” choosing roles and directing films that truly resonate with him.
“[After] 20 years of having been making stuff, I might be arriving at what my boundaries are,” he tells The Hollywood Reporter. “It takes a long time, not just time elapsed, but inside yourself to be like, ‘Maybe I do deserve to decide how I want to make and what I want to make.’ And so I’ve arrived at that part of the play.”
Jogia’s now diving into projects that lean into world-building and allow characters to exist beyond “the very narrow window of human expression,” he says. That’s exactly why the Prime Video romantic psychological thriller 56 Days caught his attention and saw him star opposite Dove Cameron earlier this year. And it’s why he jumped at the opportunity to work with Kane Parsons on his Backrooms film, which released Friday.
Below, Jogia opens up about transitioning from kids’ television and into more mature roles and directing, what it was like working on Backrooms, the success of 56 Days, collaborating with his fiancée, Halsey, on their new movie and more.
Going to go back to the beginning, what made you initially want to pursue a career in entertainment?
I really liked the concept of being able to be seen as a professional and be taken seriously and also to be able to professionally play, which is what I do for a living. And so I started talking about it when I was like six. Once I understood what it was, my parents held off as best they could and I bugged them until I was like 12 and then they sort of were like, “OK, let’s go to this acting class and sort of like satisfy this thing.” And because of that, I got a lot of commercial work. … And then I started taking more narrative parts in Vancouver, Canada.
Then I dropped out of high school, which I recommend to no one. And I tell this story very rarely because of what I ended up doing, which was kids’ television. You end up being the sort of de facto ambassador and co-parent for every single person of an entire generation or two. And I dropped out of school and drove down to California and lived in a trailer behind someone’s house for $300 in the valley. And then I got the show called Victorious, which is this sort of cultural phenomenon.
We were kids who were a little bit more driven and so we were plucked out and put into this kids’ television program machine, and once it spits you out, as it did for me, it spit me out in my late teens, early ’20s. And I was fortunate enough to go onto the second intermediary step on the ladder, which is teen television. I was on the ABC Family (now Freeform) show called Twisted, which is a beloved cult show for many people because around the time it was one of those shows that was in that pack of Pretty Little Liars and all the other ones.

Denise Richards and Avan Jogia in ‘Twisted’ season one.
Everett Collection
Having got your start in acting, when did you know you wanted to transition into directing?
After that show [Twisted] was done, it was sort of my choice to navigate where I want this ship to go. And though that’s the year that I did the two Sundance films and I had the mini-series I did with Sir Ben Kingsley come out, Tut, it was this sort of like, OK, so this is approaching the reason why I came to the party in the first place. I love acting and I will continue to do acting my whole life. Then you get started in one thing and you realize the journey of life, and if you’re listening carefully and you’re not just accepting the first truth that you learnt, you can alter your life in the way that you want.
So I directed a film that I wrote. I wrote the film when I was actually 23, out of frustration that I really didn’t like the parts that were available, and so I wrote these parts for other people, the kind of parts that I wanted to do and I grew up wanting to be in. I like frenetic, energetic movies where characters get a real opportunity to be characters, to be extreme, to not exist in the very narrow window of human expression.
Backrooms is your newest project, and since audiences don’t technically see you on camera in the film, how did this role come about?
Kane’s [Parsons, director] so smart. I’ve liked him since he was 16 years old making his videos, and he got this opportunity and I was happy to be involved in anything to support his vision for what this thing is. I love the world building. That’s the kind of film that I wanted to be able to be in when I got out of the machinery of kids’ television and into my 20s.
Me and Kane, I don’t know what it was. We kept on talking. We talked way more than I think a part like this normally would merit, because he’s a world builder and I just love that stuff. So am I. And there’s no part of this film, when watching him work, that isn’t important to him. He’s got lore and he’s got myth and he’s got depth for every aspect of it and that’s how you make things that I like. We had many conversations and I think there was a bunch of different versions of how I was going to be in this, but he just was like, “You’re in it. I don’t know in what capacity.” And it was because I said to my agents and managers, “Whatever the capacity is, I’m a gamer. I want to play ball.”

‘Backrooms’
A24/Courtesy Everett Collection
It was recently announced that you’re going to be directing and co-writing the film Replacer with your fiancée, Halsey. How did the idea come about and how excited are you to be collaborating together?
One of the joys of my life is being able to live and collaborate with someone who I think is immensely talented in every medium that she’s exploring. And we work really well together. We have a similar writing sensibility, which made the writing process super easy, and I’m just excited to watch. Again, I want to watch actors have fun exploring something larger than themselves or larger than the everyday, the mundane and the rote. I want actors to come in and swing on a person and on a character. And watching her be able to do that, I mean, I wrote it with the attention that in your 20s, she was busy being wildly successful in a very, very hard field. So she didn’t have time to do movies like this. And so I was like, “You should have had one of these, so let me write it.”
That’s a pretty grand romantic gesture to be like, “Let me write a movie for you.”
Yeah, that should have been something that happened, but it didn’t because you took this different dimension jump, but there’s a dimension where you could have been doing this and doing this and doing this. And part of loving someone is also being able to see all the different versions of them that could have been or that might yet still be.
You mentioned that you were avoiding romantic lead roles at one point in your career, but then you just starred in 56 Days, which became a hit on Prime Video. What made you want to join this project, as well as what was your reaction to how it resonated with fans?
It’s a romantic lead, but there’s so much there. There’s meat on the bones. There’s something for me to perform. There’s a constant tension that’s there that I can do it really, really sweetly, or I can do it with the weight of all the internal stuff that Oliver’s going through. Also, not for nothing, it was quite a physical part because I had my shirt off all the time (Laughs), which, insert massive sigh about how it’s a lot of work. But that was something to do. I’d done a couple of those, but I hadn’t really done something like this.
And then of course it’s a number one show situation, which is amazing and I’m so humbled by that, and people have been really, really nice about it and kind. I don’t think anyone expects a show to be a cultural moment. I think you would have to be quite mad as a person to be like, “Oh yeah, No. 1.” But it’s always a nice thing. It ended up being sort of a choice for me because once you do a show like that, what happens subsequently is you get a million more opportunities to do that sort of thing and people are intimating that you should keep going on this train even if it takes you further from what you want to do. And because I’m oppositional defiant, I was like, “Let me go direct a movie.” (Laughs.)

Avan Jogia in ’56 Days.’
Prime Video
Fans have also been fancasting you to potentially portray Xaden in the Fourth Wings Prime Video adaptation. I know your focus is on directing at the moment, but would you be open to doing that role if presented the opportunity?
Everything has something interesting to it, not for nothing. I’d love to do fantasy. When you’re a little boy and you’re growing up and you want to be an actor, you have a list in your mind of things that you would love to do. I saw The Lord of the Rings and was like, “I would love to be able to one day be included in fantasy.” And I grew up. I’ve played every large-scale fantasy video game that there is to play. I’ve spent tens of thousands of hours of my life living in a fantasy world. I would love to be able to be in a movie or a TV show that has fantasy elements to it. I would love to be a pirate. That’s what I’m saying when I say acting. What I got into this to do is to make myself as a child happy by playing in worlds that have always excited me since I was a kid. And so the concept of dragons and a fantasy world like that, that sounds awesome.
If you had to describe what makes Avan Jogia, Avan Jogia, what would you say?
I’m passionate. I’m curious. I love creative collaboration. In a world where there’s so little community, film set, the pirate ship, the us all go to sail and we find whatever this thing is out in the open ocean, that community of people that I get to work with every day, that is what I’m always looking for. That creative community of ideas where we’re all rolling up our sleeves and we all believe in a thing and we’re all doing it together is way more important than what the result ends up being. The result is a byproduct of the time spent with a community. … I’m someone who’s always made for the sake of making and then sometimes I lose my way. But I think [after] 20 years of having been making stuff, I might be arriving at what my boundaries are. Like I said earlier in the conversation, it takes a long time, not just time elapsed, but inside yourself to be like, “Maybe I do deserve to decide how I want to make and what I want to make.” And so I’ve arrived at that part of the play.
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